Ancient Rome and Modern America; A Comparative Study of Morals and MannersFerrero, Guglielmo
History
Ancient Rome and Modern America; A Comparative Study of Morals and Manners
Ferrero, Guglielmo
America -- Civilization; Europe -- Civilization; Justice, Administration of -- Rome; Progress
It is true that the pride of our knowledge and the intoxication of our
power stun us, and therefore help us to bear with greater patience
the want of more æsthetic pleasures. But this compensation, like all
compensations, is of its very nature provisional. It is not possible
utterly to destroy a need inherent in human nature. There is at the
present day a certain tendency in the world to consider art as a
superfluous frivolity, as a luxury only to be thought of in moments
of leisure. Art and such-like superfluities are contrasted with what
are called the serious occupations, the practical realities of life:
industry, commerce, inventions, business, and wealth. Those who hold
this opinion forget, however, that the sculptures of Phidias and the
paintings of Raphael appeared in the world long before the steam-engine
and the Voltaic pile. Are we, too, prepared in face of this fact
to affirm, with the most advanced champion of the American idea of
progress in my dialogue, that “history was off the track up to the
discovery of America”? That if men had had any sense, they would have
invented machinery and developed the sciences first, and then created
and developed the arts? But even if we were prepared to maintain this
paradoxical theory, another fact of common observation would be there
to prove to us that beauty is not a luxury and whim of gentlemen of
leisure, but a primary, universal, and indestructible need of our
minds, which every human creature seeks to satisfy as best it can.
Do we not see every day that the peasant and the artisan, items in
modern civilisation though they are, no sooner have a little money
than they try to procure for themselves ornaments, either for their
persons or for their homes, which may be as tawdry as you like, but
which to them seem beautiful and well worth the expenditure of some of
the little money they have? Have we not seen that one of the merits
of modern civilisation is that of satisfying the æsthetic needs of
the masses? Why should we not expect, then, to find the same need,
though in a refined and intense form, felt by those to whom superior
intelligence and energy, or the favour of fortune, has granted the
power to accumulate wealth in large quantities, those, in other words,
who have at their disposal greater means of procuring for themselves
the pleasures and good things of life?
Public-domain text, read in full here on John Shaqi.
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