Ancient Rome and Modern America; A Comparative Study of Morals and MannersFerrero, Guglielmo
History
Ancient Rome and Modern America; A Comparative Study of Morals and Manners
Ferrero, Guglielmo
America -- Civilization; Europe -- Civilization; Justice, Administration of -- Rome; Progress
Every epoch directs all its efforts towards a supreme goal, which
for it is the all-important one. There have been epochs ablaze with
religious fervour, whose chief aspiration it was to diffuse and to
defend the faith. There have been epochs with a profound sense of
the ambition for glory, which fought great wars. Others again have
turned their attention to the fostering of the arts and sciences. Our
civilisation aims, in the first place, at the mastery over nature, and
the intensive exploitation of all the riches of the earth. We enjoy
the advantages of it. We are not inclined to abjure railways and
telegraphs. We have no wish again to run the risk of famine, which was
such an ever-present one to the civilisations of the past. We enjoy
the incredible abundance and liberty of the day and are by no means
eager to return to the pristine régime of discipline and parsimony.
We Europeans also, then, must resign ourselves to paying the price
which all these advantages cost, and to living in an epoch in which
art cannot flourish in any high degree, in which religion will no
longer have the strength to emanate waves of mystical ardour, and
even science will be cultivated only so far as it can be of immediate
service to practical ends, by intensifying and making more prolific
the exploitation of natural riches. For this, too, is a phenomenon
noticeable to-day in every part of Europe: disinterested studies are
falling into disfavour. Rich as it is, the world of to-day is less
capable of searching after the true for the sole pleasure of expanding
the field of knowledge, than it was two centuries ago, when it was so
much poorer. Even scientists nowadays want to see their discoveries
turned into money.
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Public-domain text, read in full here on John Shaqi.
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