(M481) “It was under the administration of Pericles that Greek literature reached its culminating height in the Attic drama, a form of poetry which Aristotle justly considers as the most perfect; and it shone with undiminished splendor to the close of the century. It was this branch of literature which peculiarly marked the age of Pericles—the period between the Persian and Peloponnesian wars. The first regular comedies were produced by Epicharmus, who was born in Cos, B.C. 540, and exhibited at Syracuse. Comedy arose before tragedy, and was at first at the celebration of Dionysus by rustic revelers in the season of the vintage, in the form of songs and dances. But these were not so appropriate in cities, and the songs of the revelers were gradually molded into the regular choral dithyramb, while the performers still preserved the wild dress and gestures of the satyrs—half goat and half man—who accompanied Dionysus.” The prevalence of tales of crime and fate and suffering naturally impressed spectators with tragic sentiments, and tragedy was thus born and separated from comedy. Both forms received their earliest development in the Dorian States, and were particularly cultivated by the Megarians. “Thespis, a native of Icaria, first gave to tragedy its dramatic character, in the time of Pisistratus, B.C. 535. He introduced the dialogue, relieved by choral performances, and the recitation of mythological and heroic adventures. He traveled about Attica in a wagon, which served him for a stage; but the art soon found its way to Athens, where dramatic contests for prizes were established in connection with the festivals of Dionysus. These became State institutions. Chœrilus, B.C. 523, and Phrynichus followed Thespis, and these ventured from the regions of mythology to contemporaneous history.”