"She was very beautiful. I don't mean beautiful like Eunice but really
beautiful. You know. From the inside as well as the outside. And she
was--well, I knew nothing could go wrong as long as she was there.
I mean no matter what happened as long as she was there it would
be all right. Once when we were spending the summer in Goshen the
nearest house to us burned down in the middle of the night and it was
terrible. But before any of the children had time to be frightened or
anything mother had them in our kitchen all in their nightclothes and
was feeding them cocoa and sandwiches and making them all laugh and
they stayed with us the rest of the summer while the house was being
rebuilt. I was only five then but I remember the way they all stopped
being frightened the night of the fire just because mother was there
and they knew she'd make everything all right. And always every night
she told me a story before I went to sleep. And in the morning she'd
come in to wake me and her hair would be all around her like a cape.
Father painted her and painted her. She was about the only grown person
he ever painted. He's never painted Eunice. Only sketches. I'll show
you a picture of her tomorrow. Mother, I mean. And she used to laugh
all the time and everything was fun. Even the times I was sick and had
to be in bed. She made that fun, too. And I had a governess but when I
remember it seems to me mother was with me most of the time and we used
to go to plays together and to La Bohéme and Traviata at the opera."
Paul didn't say anything and Flip looked over in the moonlight and
there he was, sound asleep, his mouth a tiny bit open. She crawled out
from under the covers and shook him gently. "Paul. Paul. You'd better
wake up and go to bed."
He rolled over sleepily and slid off the bed and stood there swaying
for a moment as though he were still asleep. "Good night Flip. Thank
you," he said softly, and crossed the hall to his room.
Flip clambered back under the covers and put her head down and hardly
had time to draw the covers about her and rub her feet against the
slippery warmth of the hot water bottle before she, too, was asleep.
6
A few days after the holidays began Flip and Paul were skiing alone.
Madame Perceval had gone to spend the day with some friends in Ouchy,
and Monsieur Laurens was deep in his book. Flip and Paul, their skis
over their shoulders, had climbed a good distance up the mountain and
were preparing to ski down when a voice behind them called, "Paul."
They turned around and Flip saw the dark man with the too-brilliant
black eyes.
"Paul," he said again.
Paul stared at him blankly.
"Don't you know me?" he asked.
"No," Paul said.
"Alain, are you sure you don't know me?"
"What do you mean?" Paul said. "My name is Paul Laurens. What do you
mean?"
"Your name is Alain." The man took a step towards them and Paul pushed
Flip back a little. "Your name is Alain Berda. Are you sure you don't
know me?"
Public-domain text, read in full here on John Shaqi.
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