Many years ago I wrote an essay in which I poured scorn on the fun
purveyed by the music halls, and on the great public for which that fun
was quite good enough. I take that callow scorn back. I fancy that
the fun itself was better than it seemed to me, and might not have
displeased me if it had been wafted to me in private, in presence of
a few friends. A public crowd, because of a lack of broad impersonal
humanity in me, rather insulates than absorbs me. Amidst the guffaws of
a thousand strangers I become unnaturally grave. If these people were
the entertainment, and I the audience, I should be sympathetic enough.
But to be one of them is a position that drives me spiritually aloof.
Also, there is to me something rather dreary in the notion of going
anywhere for the specific purpose of being amused. I prefer that
laughter shall take me unawares. Only so can it master and dissolve me.
And in this respect, at any rate, I am not peculiar. In music halls and
such places, you may hear loud laughter, but--not see silent laughter,
not see strong men weak, helpless, suffering, gradually convalescent,
dangerously relapsing. Laughter at its greatest and best is not there.
To such laughter nothing is more propitious than an occasion that
demands gravity. To have good reason for not laughing is one of the
surest aids. Laughter rejoices in bonds. If music halls were schoolrooms
for us, and the comedians were our schoolmasters, how much less talent
would be needed for giving us how much more joy! Even in private and
accidental intercourse, few are the men whose humour can reduce us, be
we never so susceptible, to paroxysms of mirth. I will wager that nine
tenths of the world’s best laughter is laughter at, not with. And it is
the people set in authority over us that touch most surely our sense of
the ridiculous. Freedom is a good thing, but we lose through it golden
moments. The schoolmaster to his pupils, the monarch to his courtiers,
the editor to his staff--how priceless they are! Reverence is a good
thing, and part of its value is that the more we revere a man, the more
sharply are we struck by anything in him (and there is always much) that
is incongruous with his greatness. And herein lies one of the reasons
why as we grow older we laugh less. The men we esteemed so great are
gathered to their fathers. Some of our coevals may, for aught we know,
be very great, but good heavens! we can’t esteem them so.
Public-domain text, read in full here on John Shaqi.
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