English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
“I know. Never mind. He has. And you’ve dead-heated—you and . . . the
man I love.”
Punch put a hand to his head.
“Well, here’s a go,” he said. “What do we do now? You can’t marry us
both.”
With a half-laugh, half-sob, Athalia slid her arms round his neck.
“Yes, I can, my darling. You see, you’re both called Punch.”
ANN
ANN
Lady Ann Minter alighted thankfully.
After the burden and heat of the third-class carriage the evening air of
Suet was like a drink of water—out of a dirty mug. Still, it was water:
and the journey down had been hell. After all, the tip of a beggar’s
finger made a desirable continent for a certain rich man.
Her husband took her arm and shepherded her out of the press.
“See now, kid,” he said tenderly, setting her dressing-case down, “you
jus’ stay ’ere an’ watch out for me. I’m off to find your trunk.”
“All right, Bob,” said Lady Ann Minter.
Alone for the first time since her marriage, she strove to marshal her
thoughts. These, however, were mutinous. The flight of opportunity, the
welter of noise and movement on the fringe of which she stood undermined
her authority. It was vital that she should think quickly and clearly,
that she should make up her mind. Everything was depending upon
immediate decision. But the very premises were denied her. She was wild
to face the facts: but the facts danced and flickered and would not be
faced.
Hideous, blazing queries blinded her fumbling brain. She found herself
reading them aloud.
“Why didn’t I think of all this? How can I possibly bear it? What shall
I do—_do_?”
And then the scorching answers.
“God knows . . . I must . . . _Nothing_. . . .”
She saw her father standing with his back to the log-laden hearth—saw
his white, set face and his tightened lips. There were roses on the
mantelpiece behind him, and a Morland hanging above—a spreading oak and
a cottage and a jolly brown horse. . . . and a woman was standing in the
doorway, holding a little boy, and a man on the horse was smiling . . .
and they were all alone and happy, under the spreading oak . . . very
poor and simple, but alone and very happy. . . .
She saw her aunt on her knees with tears running down her face—saw the
china ranged orderly upon the walls—smelt the pot-pourri she had made
the year before. The evening sun was pouring into the chamber, planting
badges of gold on plate and bowl and pitcher, turning the closet into a
queen’s parlour. . . .
She saw the register office and the registrar’s face like a mask, heard
the cameras click as she and Bob passed out, felt the insolent stares of
the waiter who brought them lunch. . . .
The journey down had been frightful. The heat, the discomfort, the
everlasting talk. . . .
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account