English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
Before Ann had found a reply, there was the appalling explosion with
which laughter which has been denied its usual channel forces the
narrows of the nose. The strain had been too great. Nature had asserted
herself. Ada had broken down.
Before her relatives’ horrified gaze, she abandoned herself to
succeeding paroxysms of mirth, to which, to his undying shame, Mr.
Barnham began sniggeringly to subscribe.
The devastation of gentility was too awful.
Mr. Alcock blenched, recovered, turned slowly purple and broke into a
gleaming sweat. Ann regarded him as though fascinated. Two red spots of
dishonour burned upon May’s cheekbones. Aunt Harriet was making a
rattling noise. . . . All the time convulsion after convulsion shook the
destructive to her foundations. And Mr. Barnham shook also.
“_Aida!_”
The rasp in her mother’s tone brought her up short. The former was
glaring unutterably.
As her daughter’s abominable emotions began to subside, Aunt Harriet
turned to her guest.
“Hoverwrought,” she said in the tone of one who is publicly excusing
whom she intends privately to flay alive. “Takes after ’er father. Shell
we go upstairs, Lady Ann? I’m sure you’ld like to take a look at your
room, an’ we can ’ave a quiet chat.”
“I’ld love to,” said Ann.
As she came to the door, she glanced round.
Mr. Alcock had slunk to the window and was savagely employing a
service-dressed brother of the golden kerchief. Ada, red-nosed and
bloated with exertion, stared blearedly upon the ground. May was
regarding the cornice with smouldering eyes. Mr. Barnham appeared to be
about to prophesy no good, but evil.
“So—so long,” said Ann pleasantly.
The others stared back.
“Me deer,” said Aunt Harriet, labouring up the stairs, “I want you to
feel that this is a nome from ’ome. Merriage is a wrench. One leaves a
lovin’ ’ome for a strange country. An’ you do feel strange. I remember
me own merriage. Down we goes to a little one-eyed place with never a
soul as knew wot a lady was. I tell you I felt that lonely I could ’ave
cut me throat. But you’ve no call to do that. You’re among frien’s ’ere
that feels as you do an’ likes the ways you like. I give you me word,
Lady Ann, vulgarity makes me sick. An’ there’s so much of it to-day.”
Arrived at a door upon the first floor, she opened it and passed into a
large, dingily furnished bedroom facing the sea. The brown wallpaper was
bruised and soiled: the threadbare carpet was overlaid with cheap rugs:
a voluminous muslin valance swaddled the dressing-table: wardrobe,
washstand and bed recalled the several sale-rooms whence they had come:
a rusty horse-hair couch sulked in a corner: spotted engravings of
Royalty being baptized or married or churched hung upon the walls: a
cord of one of the Venetian blinds had broken, and the slats were
splayed: a window of the bay was open and admitting something of what
seemed to be the uproar of a gigantic fair.
Public-domain text, read in full here on John Shaqi.
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