English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
A melodrama was being shown: some of the scenery was superb—a forest at
dawn, a cool reach of some river with sunlit woods about its banks, the
spreading lawns of a great mansion blotched with the silhouettes of
stately trees. The dazzling luxury of the interiors, the perfection of
their appointment, the admirable manner of the men-servants, the smooth
rush of the cars turned the fruit of memory into the grapes of Tantalus.
Ann sat dumb before the cruelty of Fate. It was true, then—she was to
be spared nothing. Every slender tack that could be hammered was to be
driven home—punched into her heart.
She had a terrible yearning to express her agony. She wanted to moan and
twist her hands. She wanted to fall upon her knees and clasp her head.
She wanted to breathe “My God. . . . My God. . . . My God. . . .” She
wanted to stammer her woe—change this fantastic hell into the
similitude of human sorrow—picture it in words and tears—wrap it in
the napkin of blessed, familiar speech.
Bob was importuning her.
“Give us a kiss, sweetheart.”
Fainting, she gave him her lips.
“Now, then, break away, there,” rasped an attendant. “If you can’t wait,
there’s plenty of room outside.”
It was not the man’s fault. Complaints had been received and forwarded.
Orders had come down that morning that any abuse of the obscurity
indispensable to the performance was to be sternly checked. It was, of
course, rather a delicate matter. Custom, if not prescription, was to be
set by the ears. Still, the remark was well received—with hysterical
laughter.
A wave of hot blood surged to Ann’s temples. Her mind staggered. When
she came to, she found herself praying for death.
The reflection that a week ago Bob would not have—had not done these
things preened its grim self before her. Ann realized suddenly that
familiarity was breeding assurance, if not contempt. From being ‘my
lady’ she had become ‘my—my missus.’ More. For the first time since
their engagement Bob was among his own. Hitherto he had been upon
parade. Now he was relaxed—comfortable. His own had received him. He
was sliding into their ways—naturally. It was not a case of infection,
of evil communications corrupting manners. They were his—_his_ ways. Of
course. His ways. He saw no harm—there _was_ no harm in them. They were
wholesome enough. Only—they were not her ways. . . .
The melodrama came to an end, and they filed out. The sheet had
announced an interval of fifteen minutes.
The _salle de danse_ was crowded. They thrust and were thrust within its
walls.
Bob could not dance. Mr. Alcock, however, was clearly treading firm
ground. The assurance with which he spoke made this still more manifest.
“Em I to ’ave the pleasure, Leddy Enn?”
What did it matter? What did anything—— Besides, how could she refuse?
Public-domain text, read in full here on John Shaqi.
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