English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
Something—someone was almost touching her. She could hear his
breathing. She was right under his hand. And she was trapped. Her knee
was against a chair, and she could not move. Any second now . . .
The form sheered off. Whose-ever it was, he had missed her by a hair’s
breadth.
Trembling all over, Susan began to edge away from the chair. . . .
A piercing scream of agony shattered the silence—the sort of scream
which is associated with torture—the scream of a human being under the
pain of hell.
Susan’s heart stood still.
The scream slid into a flurry of howled oaths, the nature of which
suggested that Labotte was out of action. If he was, there was a doorway
clear. . . .
Susan was there in a flash.
She and Kilmuir passed out together.
“Steady,” he said quietly. “Now turn round, get behind me and appear to
be looking in. Then they won’t connect us with this little play.”
As he parted the curtains, the lights in the room went up, and four or
five guests and servants appeared in the other doorway.
Labotte was sitting on the parquet, rocking himself to and fro, nursing
his bridle-hand and addressing ‘the Duke of Culloden,’ who was leaning
against a sofa convulsed with laughter.
“I tell you I ’af not see why jus’ begozz you are duke that ’as nod give
you the raighd to starm’ to my ’and laike there was fifdy tousan’ dun of
storns in your boode an’ then you gannot bray bardon bud mus’ laugh
laike you gry an’ make that you ’af nod starm’ to no one’s ’and. I
suppose it is I wot ’af march oll over my own ’and—yess! Bah! I make
myself to be your frien’, I let you to call me Zaddle-zorp an’ show you
the rorpes of these place, an’ then you starm’ to my ’and and when I
say, ‘See ’ow you ’af done,’ then there was a gread forny jork that I am
’urt. I tell you I do not gare ooze duke you are . . .”
By one consent Miss Crail and Nicholas turned and made their way out of
the press.
“So perish all traitors,” said the latter. “As the actual executioner,
my use of that pious expression is traditionally becoming.”
Susan stared.
“You?”
Kilmuir nodded.
“I was there all the time,” he said. “None of you saw me. I was
wondering where I came in, when the lights went out. I happen to be able
to see rather well in the dark, and just as I passed you I saw our
little red-back making for where you stood on his hands and knees. . . .
I admit I’m not very proud of myself. I should have preferred to thrash
him in daylight and a public place, but you—you had to be
considered. . . . I was going to harry the—er—Duke of Culloden also,
but Saddle-soap made such a noise that I hadn’t time. That he should
credit his accomplice with the assault is sheer good fortune. I never
dreamed of such an elegant _dénouement_.” He led the way to a closet at
the end of the _salon gris_. This was deserted. “And now, why did you
rush upon your fate three days ago? Why did you try to discredit
yourself in my eyes? We’d only just made friends.”
“Did I succeed?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account