English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
Till a quarter past seven this morning I hardly left her side.
At half-past eleven the medicine took some effect, and from then for
nearly an hour she never spoke. Then she started again—not chattering
any longer, but speaking sterner stuff. The scene had changed.
She talked in a low voice, off and on, right through the night. The
cough interfered and her breathing troubled her sorely, but she would
talk.
And this, pieced fairly together, is what she said.
“What will I do? I’ll tell you. I’ll go back to my husband. Perhaps
he’ll turn me down; perhaps he won’t. But, whichever he does, he’ll be
kind to me, Berwick Perowne. He’ld never kick a woman when she was down.
I imagine I was bewitched when I turned to you. . . . You ‘willed’ me,
you say? Well, I don’t quite know what that means, but I don’t see why
you should laugh. It’s not very generous, considering that you
won—while I lost all I had. It broke my heart to leave Richard. You
know it did. The first thing I said, when I saw you that awful evening,
was that I couldn’t go. And you—you begged and argued until you’d made
me late—too late to get back and get my letter before he came. . . .
Yes, I know. Oh, you acted well. I never dreamed you were doing it on
purpose. I never would have, if you hadn’t told me so. . . . Why do you
laugh so, Berwick? It’s so—so unkind. . . . ‘Can’t go back’? ‘_Can’t_’?
What do you mean? It shows you don’t know Richard. I tell you . . .
What? Well, what if I did? I shouldn’t have told you, of course. It was
a secret thing. Richard told me, because I was his wife. I don’t know
what he’ld say if he knew that I’d told you, but—why do you laugh like
that? I haven’t said anything funny. It’s very serious. I don’t think
you realize how serious it is. If you repeated that secret—if you were
to tell anyone that Richard had left for Scotland _and never gone
there_, that he’d been at Chatham nearly the whole of the time, that
he’d only left for Scotland because he knew he was watched and he wanted
to make certain people believe he was out of the way—if you were to
mention _that_, why, don’t you see you’ld be doing a frightful thing?
You’ld be betraying Richard and ‘The Office,’ too: while, as for me,
you’ld be stamping me as a traitress in Richard’s eyes. He thinks ill of
me, of course. I’ve done him an awful wrong. But, short of absolute
proof, he’ld _know_ that I never was that . . . not treacherous. . . .
I’ve got so little left. I’ve chucked so much away. But what I’ve still
got I treasure—oh, more than life, far more . . . a little shred of
honour, very shabby and worn, but clean. . . . And you see, if you
talked, you’ld be tearing that shred away. It’ld come to Richard’s ears
in twenty-four hours. He knows everything. He’s got to. And, as I was
the only soul in all the world he told, he’ld know it was me. So you see
how terribly important it is that you shouldn’t breathe a—— Why do you
smile like that? What have I said? Can’t you see how . . . You can? Then
Public-domain text, read in full here on John Shaqi.
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