Ande Trembath: A Tale of Old Cornwall EnglandKemp, Matthew Stanley
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Ande Trembath: A Tale of Old Cornwall England
Kemp, Matthew Stanley
Cornwall (England : County) -- Fiction
The parson insisted upon their going in his own carriage, but the very
thought of news to be obtained in Helston made the old Major impatient
of any delay, and he persisted in going on foot, and so with a friendly
handshake, Major and son left the rectory for Helston.
"Hark'ee, son Ande, injustice shall fall yet and right shall prevail; I
feel it," and the old Major strode on with renewed hopefulness.
Long before they entered the town it had put on its holiday attire.
Homes were decorated, windows garlanded, doors swung wide open, and the
bells of old St. Michael were booming and pealing in the festival which
the abrasion of centuries could not obliterate. From the upper portion
of the town came the pealing of fifes and rattling of drums and the
drawling voices of old men mingled with the more melodious voices of
boys and girls, singing the ancient Hal Lan Tow chant. Up in front of
the Helston Grammar School stand the authorities of the borough
demanding a holiday in behalf of the pupils, and when it is granted,
according to custom, how the lads and young men pour out of the old
dormitory, with hats tossing in the air! Vehicles, from the humble cart
to the emblazoned coach of the gentleman, keep rolling into town, while
every road and footpath is dotted with foot travellers. The streets
begin to crowd more and more. Citizens in the finest broadcloth rubbed
elbows with the humble fustian of farmers, and ladies in the finest
brocades and silks pass, with kindly greetings, the figures of country
maidens and women in humbler attire. Lads are blowing whistles, and
others are shouting to their fellows. But now the noon hour has come,
and from the head of Coinage Hall street come the rolling of drums, the
signal for the commencement of the annual, festival, street dance. In
front of the forming procession are the two town beadles with wands,
fancifully and artistically garlanded with flowers. The wands are the
emblems of their authority. They are the great men of the hour. Behind
them are the drummers, the fifers, and the serpent players, with their
instruments and forms so festooned with flowers and evergreen that it is
almost impossible to see their features. They are in motion. The old
beadles prance in a dignified way in front of the advancing procession,
waving their wands and giving directions in the meantime. The music of
the various instruments are pealing out in one steady strain, punctuated
here and there with the sullen, "boom, boom--boom--boom" of the big
drums, and the "rat a-tat-tat" and occasional roll of the kettle drums.
Now they are dancing, hand in hand in the rear, to the first half of the
melody. Now with a rattle of the lesser drums the second half begins.
The gentleman with the second lady releases her hand and seizes the
first and whirls her out of the procession in a circle and returns. The
action is continued by the second gentleman and so on down the line.
Then again the first refrain is taken up and the procession moves
Public-domain text, read in full here on John Shaqi.
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