Andreas Hofer: An Historical NovelMühlbach, L. (Luise)
History
Andreas Hofer: An Historical Novel
Mühlbach, L. (Luise)
Hofer, Andreas, 1767-1810 -- Fiction; Tyrol (Austria) -- History -- Uprising of 1809 -- Fiction
"I taught him the melody, doctor," said Conrad, proudly; "I gave him
lessons for three months, and he took pains to learn the melody, for
he knew full well that we two were preparing a little surprise and
joy for our dear master, the great Joseph Haydn."
"And that is the reason why I have not seen Paperl for so long,"
said Haydn, nodding his head gently. "I did not wish to inquire
after him, for I was afraid the answer would be that the bird was
dead and had gone home to my dear old wife."
"Well, I am sure Paperl would never go to her," said Conrad,
laughing; "the two could never get along with each other, and were
always quarrelling. Whenever Paperl could catch one of your wife's
fingers, he bit it with his thick beak, and she hated the bird
cordially for it, and would have preferred sending him to the grave
than descending into it herself. But Paperl did not die, and you
need not be anxious on his account, doctor. Such parrots live a
thousand years. Therefore, I locked him up in my chamber for three
months, and taught him the beautiful air, that the bird might
whistle it to mankind a thousand years hence, and remind all of the
great composer, Joseph Haydn."
"Ah, my dear old Conrad," sighed Haydn, sinking into the easy-chair
which Conrad had placed for him under the fragrant elder-bush, "a
thousand years hence no one will know any thing about us, and we
shall be nothing but dust returned to dust. But God will remain, and
His sun will shine a thousand years hence as gloriously as it does
to-day; and His nightingales will sing the same wonderful melodies
from His creation long after my `Creation' has been forgotten."
He paused, and clasping his hands devoutly, lifted his eyes to
heaven. By his side, on the high pole, its right leg fastened to it
with a small silver chain, the parrot sat, and fixed its piercing,
sagacious eyes upon him; the cat lay at Haydn's feet, and gazed with
philosophical equanimity at the flies which were buzzing from flower
to flower, and pricked up its ears attentively whenever a small bird
rustled in the shrubbery, or skipped merrily from branch to branch
in the fragrant walnut tree. Beside the easy-chair stood Conrad, the
old servant, his faithful, honest face turned toward his master with
an expression of infinite tenderness, and quite absorbed in
contemplating this mild, smiling, and calm octogenarian, whose eyes
were looking around slowly, and seemingly greeting God and Nature.
In the distance bells were ringing and calling devout worshipers to
divine service; their notes resounded tremulously through the air
like a solemn accompaniment to the voices of Nature.
"Oh, how beautiful, how beautiful!" murmured Haydn. "Why can I not
exhale with this sigh of joy my old life, which is no longer good
for any thing? Why can I not die with this prayer of gratitude
toward God on my lips, and waft my soul up to heaven, as that bird
yonder is at this moment soaring toward the sun!"
Public-domain text, read in full here on John Shaqi.
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