Andreas Vesalius, the Reformer of AnatomyBall, James Moores
History
Andreas Vesalius, the Reformer of Anatomy
Ball, James Moores
Vesalius, Andreas, 1514-1564
Of the numerous editions of the _Fabrica_ there are three which are
highly prized, namely, the first one, 1543; the second, issued in 1555,
containing eight hundred and twenty-four pages, with many changes in the
text; and the 1725 edition of the collected writings of Vesalius. The
last named is a huge volume which was published at Leyden under the
supervision of Boerhaave and Albinus, with the illustrations cut in
copper by Jan Wandelaar[27].
It contains the _Fabrica_, the _Epitome_, the _Epistola de Radicis
Chynae_, various anatomical treatises of a controversial character, and
the _Chirurgia Magna_ which has been wrongly attributed to Vesalius.
Morley says of this book:—“After his death a great work on surgery
appeared, in seven books, signed with his name, and commonly included
among his writings. There is reason, however, to believe that his name
was stolen to give value to the book, which was compiled and published
by a Venetian, Prosper Bogarucci, a literary crow, who fed himself upon
the dead man’s reputation”.
[Illustration: Ornamental block]
CHAPTER FOURTEENTH
The Court Physician
[Illustration: Illuminated capital]
Vesalius, having finished the _Fabrica_, intended to write a work on the
practice of medicine which should be based on pathology. He makes
mention of this in the preface of the _Fabrica_, and in numerous places
in the body of the book he describes the pathologic appearances which he
found in dissection.
Returning to Padua after a year’s absence, he found that the University
for which he had strenuously labored was a very hotbed of opposition.
His former pupil and friend, Realdus Columbus, who was now lecturing on
anatomy at Padua, had turned against him. How deeply Vesalius was
wounded by the man whom he had made, can be appreciated only by those
who have been placed in similar circumstances. The controversy between
Columbus and Vesalius was of a bitter and personal character.
Public-domain text, read in full here on John Shaqi.
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