Anecdotal Recollections of the Congress of ViennaLa Garde-Chambonas, Auguste Louis Charles, Comte de
History
Anecdotal Recollections of the Congress of Vienna
La Garde-Chambonas, Auguste Louis Charles, Comte de
Congress of Vienna (1814-1815)
The first song was the ‘Partant pour la Syrie,’ the charming music
of which, by Queen Hortense, has become popular throughout Europe.
Mlle. Goubault, a young Belgian, who to an agreeable face added a
charming and expressive voice, sang the words, while the Princesse
de Hesse-Philipstadt and the young Comte de Schönfeldt represented
the characters. At the verse of the marriage, a chorus of the most
beautiful personages of the Court grouped themselves around the
principal actors. This profusion of delicious faces, the perfect
unison of the voices, and the expressive pantomimic action of the two
lovers--in short, the whole tableau, was enthusiastically applauded.
I was too far away from Emperor Alexander to hear what he said
to Prince Eugène, who was seated close to him by the side of his
father-in-law, the King of Bavaria. I could, however, easily perceive
by the face of Eugène, beaming with pleasure and gratitude, that
the praise bestowed by the emperor on the musical composition was
accompanied by flattering and kindly expressions concerning his sister.
The second song was that of Coupigny, a ‘Young Troubadour singing and
making war.’ It was represented by the Comte de Schönborn and the
Comtesse Marassi. The third song was again one of Queen Hortense’s,
‘Do what you ought, let come what may.’ It was as well sung as ably
mimed by the handsome Comtesse Zamoyska, a daughter of Marshal
Czartoryski, and by the young Prince Radziwill. Like the first, it was
enthusiastically listened to and greatly praised. The author’s name
was on the lips of every one, and vociferous applause frequently broke
forth.
‘This is a sceptre which will not be broken in the hands of Mlle.
de Beauharnais,’ said the Prince de Ligne. ‘She is still a queen in
virtue of her talent and her charm when she has ceased to be one by the
grace of God. I confess to a liking for women who are fond of music,
and above all for those who compose music, as she does. Music is a
universal language, harmoniously recounting to all of us the sensations
of our lives. Only the malicious and spiteful could have said evil of
the sometime Queen of Holland, and only imbeciles could have attached
any belief to what they said. As for me, I am always glad to applaud
and to give homage to fallen greatness, especially if the fallen ones
have done honour to the rank in which fate placed them.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account