Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
with exact military precision, ranged the celestial choir in rows like
the fiddlers of a sublunary orchestra, and accommodated the congregation
of the righteous with long benches, like those of a Methodist
meeting-house! However, the king was so well pleased with the work, that
he rewarded Cambiaso with 12,000 ducats.
CAMBIASO'S ARTISTIC MERITS.
In the earlier part of his career, the impetuosity of his genius led him
astray; he usually painted his pictures in oil or fresco without
preparing either drawing or cartoon; and his first style was gigantic
and unnatural. Subsequently, however, he checked this impetuosity, and
it was in the middle of his life that he produced his best works. His
fertility of invention was wonderful; his genius grappled with and
conquered the most arduous difficulties of the art, and he shows his
powers in foreshortening in the most daring variety. He was rapid and
bold in design, yet was selected by Boschini as a model of correctness;
hence his drawings, though numerous, are highly esteemed. His Rape of
the Sabines, in the Palazzo Imperiali at Terralba, near Genoa, has been
highly extolled. It is a large work full of life and motion, passionate
ravishers and reluctant damsels, fine horses and glimpses of noble
architecture, with several episodes heightening the effect of the main
story. Mengs declared he had seen nothing out of Rome that so vividly
reminded him of the chambers of the Vatican.
RARITY OF FEMALE PORTRAITS IN SPAIN.
Very few female portraits are found in the Spanish collections. Their
painters were seldom brought in professional contact with the beauty of
high-born women--the finest touchstone of professional skill--and their
great portrait painters lived in an age of jealous husbands, who cared
not to set off to public admiration the charms of their spouses.
Velasquez came to reside at court about the same time that Madrid was
visited by Sir Kenelm Digby, who had like to have been slain the first
night of his arrival, for merely looking at a lady. Returning with two
friends from supper at Lord Bristol's, the adventurous knight relates in
his Private Memoirs, how they came beneath a balcony where a love-lorn
fair one stood touching her lute, and how they loitered awhile to admire
her beauty, and listen to her "soul-ravishing harmony." Their delightful
contemplations, however, were soon arrested by a sudden attack from
several armed men, who precipitated themselves upon the three Britons.
Their swords were instantly drawn, and a fierce combat ensued; but the
valiant Digby slew the leader of the band, and finally succeeded in
escaping with his companions.
Public-domain text, read in full here on John Shaqi.
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