Jose Antonilez, a Spanish painter, studied under Francisco Rizi at Madrid. When the latter was occupied in preparing some new scenery for the theatre at Buon Retiro, Antonilez spoke of him as a painter of foot-cloths--an expression which was soon communicated to his master. Rizi immediately administered a wholesome practical rebuke, by commanding the attendance of Antinolez on his Majesty's service, and ordering him to execute a piece of painting in distemper. The unlucky wag, being quite ignorant of the mode of performing the work, and too proud to confess it, worked for a whole day, at the end of which he had merely spoiled a large piece of canvas. "So, sir," said Rizi, quietly, "you see painting foot-cloths is not so easy after all;" and turning to his servant, added, "here, boy, take this canvas and carry it to the cistern to be washed." A PAINTER'S RETORT COURTEOUS. Jean Ranc, an eminent French portrait painter, was sometimes annoyed by impertinent and vexatious criticism. Having exhausted all his talent upon a particular portrait, the friends of the sitter refused to be pleased, although the sitter himself appears to have been well satisfied. In concert with the latter, Ranc concerted a plan for a practical retort. After privately painting a copy of the picture, he cut the head out of the canvas, and placed it in such a position that the original could supply the opening with his own veritable face, undetected. After all was ready, the cavilers were invited to view the performance, but they were no better pleased. Falling completely into the snare, the would-be critics were going on to condemn the likeness, when the relaxing features and hearty laughter of the supposed portrait, speedily and sufficiently avenged the painter of their fastidiousness. ARDEMANS AND BOCANEGRA--A TRIAL OF SKILL. These Spanish painters contended in 1689 for the office of Master of the Works in the Cathedral of Granada. Bocanegra was excessively vain and overbearing, and boasted his superiority to all the artists of his time; but Ardemans, though a stranger in Granada, was not to be daunted, and a trial of skill, "a duel with pencils," was accordingly arranged between them, which was, that each should paint the other's portrait. Ardemans, who was then hardly twenty-five years of age, first entered the lists, and without drawing any outline on the canvas, produced an excellent likeness of his adversary in less than an hour. Bocanegra, quite daunted by this feat, and discouraged by the applause accorded to his rival by the numerous spectators, put off his own exhibition till another day, and in the end utterly failed in his attempt to transfer the features of his rival to canvas. His defeat, and the jeers of his former admirers, so overwhelmed him with mortification, that he died shortly after. A PAINTER'S ARTIFICE TO "KEEP UP APPEARANCES."