Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
Medals indicate the names of provinces and cities, determine their
position, and present pictures of many celebrated places. They fix the
period of events, frequently determine their character, and enable us to
trace the series of kings. They also enable us to learn the different
metallurgical processes, the different alloys, the modes of gilding and
plating practiced by the ancients, the metals which they used, their
weight and measures, their different modes of reckoning, the names and
titles of the various kings and magistrates, and also their portraits,
their different divinities, with their attributes and titles, the
utensils and ceremonies of their worship, the costume of their
priests--in fine, everything which relates to their usages, civil,
military, and religious. Medals also acquaint us with the history of
art. They contain representations of several celebrated works of
antiquity which have been lost, the value of which may be estimated from
the ancient medals of those still existing, as the Farnese Hercules,
Niobe and her Children, the Venus of Gnidos, etc. Like gems and statues,
they enable us to trace the epochs of different styles of art, to
ascertain its progress among the most civilized nations, and its
condition among the rude.
The ancient medals were struck or cast; some were first cast and then
struck. The first coins of Rome and other cities of Italy must have been
cast, as the hammer could not have produced so bold a relief. The copper
coins of Egypt were cast. The right of coining money has always been one
of the privileges which rulers have confined to themselves. The free
cities have inscribed only their names on their coins. The cities
subject to kings sometimes obtained permission to strike money in their
own name, but were most frequently required to add the name or image of
the king to whom they were subject. The medals of the Parthians and the
Phoenecians offer many examples of this sort. Rome, under the
republic, allowed no individual the right to coin money; no magistrate
could put his name thereon, though this honor was sometimes allowed, as
a special favor, by a decree of the Senate. We can count as numismatic
countries only those into which the Greeks and Romans carried the use
of money; though some of the oriental nations used gold and silver as a
medium of exchange, before their time it was by weight. The people in
the northern part of Europe had no money.
Public-domain text, read in full here on John Shaqi.
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