Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
A finely executed medal, two inches and five-eights in diameter,
represents Napoleon enthroned in his full imperial costume, holding a
laurel wreath; on the reverse is a head of _Minerva_, surrounded by
laurel and various trophies of the fine arts, with this
inscription--_Ecole Francaise des Beaux Arts a Rome, retablie et
augmentee par Napoleon en 1803_. The reverses--of the Cathedral at
Paris--a warrior sheathing his sword (on the battle of Jena)--and
Bonaparte holding up the King of Rome, and presenting him to the
people--are amongst the most highly finished and most inestimable
specimens of art.
Unquestionably the _worst_ in the collection is the consular medal,
which, on that account, deserves description; it is, in size, about a
half crown piece, on the exergue, over a small head of Bonaparte, is
inscribed _Bonaparte premier consul_; beneath it, _Cambaceres second
consul, le Brun troisieme consul de la republique Francaise_; on the
reverse, _Le peuple Francais a defenseurs, cette premiere pierre de la
colonne nationale, posee par Lucien Bonaparte, ministre de l'interieur,
25 Messidore, An 8, 14 Juillet, 1800_.--One other medal only appears
with the name of Lucien Bonaparte; it is that struck in honor of Marshal
Turenne, upon the _Translation du corps de Turenne au Temple de Mars par
les ordres du premier Consul Bonaparte_; and is of a large size, bearing
the head of Turenne, with, beneath it, _Sa gloire appartient au peuple
Francais_. Several are in honor of General Desaix, whose memory Napoleon
held in great esteem. Those on his marriage with Marie Louise bear her
head beside his own; and a small one on that occasion has for its
reverse, a Cupid carrying with difficulty a thunderbolt. Those on the
birth of their child bear the same heads on the exergue, with the head
of an infant, on the reverse, inscribed, _Napoleon Francois Joseph
Charles, Rio de Rome, XX. Mars M.DCCCXI.--Ireland_.
THE ELEPHANT FOUNTAIN.
When Napoleon had decided that a stupendous fountain should occupy the
centre of the area where the celebrated state prison of the Bastille
stood, the several artists, employed by the government, were ordered to
prepare designs for the undertaking, and numerous drawings were in
consequence sent in for the emperor's inspection. On the day appointed,
he proceeded to examine these specimens, not one of which, however,
proved at all commensurate with the vast idea he had in contemplation;
wherefore, after pacing the chamber a few minutes, Napoleon suddenly
halted, exclaiming: "Plant me a colossal elephant there, and let the
water spout from his extended trunk!" All the artists stood astonished
at this bold idea, the propriety and grandeur of which immediately
flashed conviction upon their minds, and the only wonder of each was,
that no such thought should have presented itself to his own
imagination: the simple fact is, _there was but one Napoleon
present_!--_Communicated to Ireland by David._
Public-domain text, read in full here on John Shaqi.
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