Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
"Every day new arrivals of strangers poured into Paris, all anxious to
gain a view of the Louvre, before its collection was broken up; it was
the first point to which all the British directed their steps every
morning, in eager curiosity to know whether the business of removal had
commenced. The towns and principalities, that had been plundered, were
making sedulous exertions to influence the councils of the allies to
determine on a general restoration; and several of the great powers
leaned decidedly towards such a decision.
"Before actual force was employed, representations were repeated to the
French government, but the ministers of the king of France would neither
promise due satisfaction, nor uphold a strenuous opposition. They showed
a sulky disregard of every application. A deputation from the
Netherlands formally claimed the Dutch and Flemish pictures taken during
the revolutionary wars from those countries; and this demand was
conveyed through the Duke of Wellington, as commander-in-chief of the
Dutch and Belgian armies. About the same time, also, Austria determined
that her Italian and German towns, which had been despoiled, should have
their property replaced, and Canova, the anxious representative of Rome,
after many fruitless appeals to Talleyrand, received assurances that he,
too, should be furnished with an armed force sufficient to protect him
in taking back to that venerable city, what lost its highest value in
its removal from thence.
"Contradicting reports continued to prevail among the crowds of
strangers and natives as to the intentions of the allies, but on
Saturday, the 23d of September, all doubt was removed. On going up to
the door of the Louvre, I found a guard of one hundred and fifty British
riflemen drawn up outside. I asked one of the soldiers what they were
there for? 'Why, they tell me, sir, that they mean to take away the
pictures,' was his reply. I walked in amongst the statues below, and on
going to the great staircase, I saw the English guard hastily trampling
up its magnificent ascent: a crowd of astonished French followed in the
rear, and, from above, many of the visitors in the gallery of pictures
were attempting to force their way past the ascending soldiers,
catching an alarm from their sudden entrance. The alarm, however, was
unfounded; but the spectacle that presented itself was very impressive.
A British officer dropped his men in files along this magnificent
gallery, until they extended, two and two, at small distances, from its
entrance to its extremity. All the spectators were breathless, in
eagerness to know what was to be done, but the soldiers stopped as
machines, having no care beyond obedience to their orders.
Public-domain text, read in full here on John Shaqi.
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