This celebrated temple was built by Ictinus and Callicrates, two Greek architects who flourished about B. C. 430. Ictinus was celebrated for the magnificent temples which he erected to the heathen gods. Among these were the famous Doric temple of Ceres and Proserpine at Eleusis, of which he built the outer cell, capable of accommodating thirty thousand persons; also the temple of Apollo, near Mount Cotylion, in Arcadia, which was considered one of the finest of antiquity, and was vaulted with stone. But his most important work was the famous Parthenon at Athens, erected within the citadel, by Ictinus and Callicrates, by order of Pericles. According to Vitruvius, the two artists exerted all their powers to make this temple worthy the goddess who presided over the arts. The plan was a rectangle, like most of the Greek and Roman; its length from east to west, was 227 feet 7 inches, and its width 101 feet 2 inches, as measured on the top step. It was peripteral, octastyle; that is, surrounded with a portico of columns, with eight to each facade. The height of the columns was 34 feet, and their diameter 6 feet. Within the outer portico was a second, also formed of isolated columns, but elevated two steps higher than the first; from thence the interior of the temple was entered, which contained the famous statue of Minerva in gold and ivory, by Phidias. This famous temple was built entirely of white marble, and from its elevated position, could be seen from an immense distance. On a nearer approach, it was admired for the elegance of its proportions, and the beauty of the bas-reliefs with which its exterior was decorated. It was preserved entire until 1677, when it was nearly destroyed by an explosion during the siege of Athens by Morosini. It was further dilapidated by the Turks, and afterwards by Lord Elgin, who removed all the bas-reliefs and other ornaments practicable, and transported them to London, where they now adorn the British Museum. King Otho has adopted measures to preserve the edifice from further mischief. THE ELGIN MARBLES. The following exceedingly interesting account of the removal of the sculptures from the Parthenon, is extracted from Hamilton's "Memorandum on the Subject of the Earl of Elgin's Pursuits in Greece."