Even when Morland had sunk to misery and recklessness, the spirit of industry did not forsake him, nor did his taste or his skill descend with his fortunes. One day's work would have purchased him a week's sustenance, yet he labored every day, and as skilfully and beautifully as ever. A water man was at one time his favorite companion, whom, by way of distinction, Morland called "My Dicky." Dicky once carried a picture to the pawnbroker's, wet from the easel, with the request for the advance of three guineas upon it. The pawnbroker paid the money; but in carrying it into the room his foot slipped, and the head and foreparts of a hog were obliterated. The money-changer returned the picture with a polite note, requesting the artist to restore the damaged part. "My Dicky!" exclaimed Morland, "an that's a good one! but never mind!" He reproduced the hog in a few minutes, and said, "There! go back and tell the pawnbroker to advance me five guineas more upon it; and if he won't, say I shall proceed against him; the price of the picture is thirty guineas." The demand was complied with. MORLAND'S IDEA OF A BARONETCY. Morland was well descended. In his earlier and better days, a solicitor informed him that he was heir to a baronet's title, and advised him to assert his claim. "Sir George Morland!" said the painter--"It _sounds_ well, but it won't do. Plain George Morland will always sell my pictures, and there is more honor in being a fine painter than in being a fine gentleman." MORLAND'S ARTISTIC MERIT.