Before Holbein quitted Basile for England, he intimated that he should leave a specimen of the power of his abilities. Having a portrait in his house which he had just finished for one of his patrons, he painted a fly on the forehead, and sent it to the person for whom it was painted. The gentleman was struck with the beauty of the piece, and went eagerly to brush off the fly, when he found out the deceit. The story soon spread, and orders were immediately given to prevent the city being deprived of Holbein's talents; but he had already departed. HOLBEIN'S VISIT TO ENGLAND. Furnished with recommendatory letters from his friend Sir Thomas More, Holbein went to England, and was received into More's house, where he wrought for nearly three years, drawing the portraits of Sir Thomas, his relations and friends. The King, (Henry VIII.) visiting the Chancellor, saw some of these pictures, and expressed his satisfaction. Sir Thomas begged him to accept which ever he liked; but his Majesty inquired for the painter, who was accordingly introduced to him. Henry immediately took him into his own service and told the Chancellor that now he had got the artist, he did not want the pictures. An apartment in the palace was allotted to Holbein, with a salary of 200 florins besides the price of his pictures. HENRY VIII.'S OPINION OF HOLBEIN. The King retained Holbein in his service many years, during which time he painted the portrait of his Majesty many times, and probably those of all his queens, though no portrait of Catharine Parr is certainly known to be from his hand. An amusing and characteristic anecdote is related, showing the opinion the King entertained of this artist. One day, as Holbein was privately drawing some lady's picture for Henry, a great lord forced himself into the chamber, when the artist flew into a terrible passion, and forgetting everything else in his rage, ran at the peer and threw him down stairs! Upon a sober second thought, however, seeing the rashness of this act, Holbein bolted the door, escaped over the top of the house, and running directly to the King, besought pardon, without telling his offence. His majesty promised he would forgive him if he would tell the truth; but on finding out the offence, began to repent of his promise, and said he should not easily overlook such insults, and bade him wait in the apartment till he learned more of the matter. Immediately after, the lord arrived with his complaint, but diminishing the provocation. At first the monarch heard the story with temper, but soon broke out, reproaching the nobleman with his want of truth, and adding, "You have not to do with Holbein, but with me; I tell you, of seven peasants I can make seven lords; but of seven lords I cannot make one Holbein! Begone, and remember that if you ever attempt to revenge yourself, I shall look on any injury offered to the painter as done to myself." HOLBEIN'S PORTRAIT OF THE DUCHESS DOWAGER OF MILAN.