Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
The magnificent plan of the "Milton Gallery" originated with Fuseli, was
countenanced by Johnson the bookseller, and supported by the genius of
Cowper, who undertook to prepare an edition of Milton, with translations
of his Latin and Italian poems. The pictures were to have been engraved,
and introduced as embellishments to the work.--The Gallery was commenced
in 1791, and completed in 1800, containing forty-seven pictures. "Out of
the seventy exhibited paintings," says Cunningham, on which he reposed
his hopes of fame, not one can be called commonplace--they are all
poetical in their nature, and as poetically treated. "Some twenty of
these alarm, startle, and displease; twenty more may come within the
limits of common comprehension; the third twenty are such as few men
could produce, and deserve a place in the noblest collections; while the
remaining ten are equal in conception to anything that genius has
hitherto produced, and second only in their execution to the true and
recognised masterpieces of art. It cannot be denied, however, that a
certain air of extravagance and a desire to stretch and strain, are
visible in most of his works. A common mind, having no sympathy with his
soaring, perceives his defects at once, and ranks him with the wild and
unsober--a poetic mind will not allow the want of serenity and composure
to extinguish the splendor of the conception; but whilst it notes the
blemish, will feel the grandeur of the work. The approbation of high
minds fixes the degree of fame to which genius of all degrees is
entitled, and the name of Fuseli is safe."
SALVATOR ROSA.
This celebrated painter was born at Renella, a small village near
Naples, in 1615. There is so much fiction mingled with his early
history, that it is impossible to arrive at the truth. It is certain,
however, that he commenced the study of painting under his
brother-in-law, Francesco Fracanzani, that he passed his early days in
poverty, that he was compelled to support himself by his pencil, and
that he exposed his juvenile performances for sale in the public
markets, and often sold them to the dealers for the most paltry prices.
SALVATOR ROSA AND CAV. LANFRANCO.
Public-domain text, read in full here on John Shaqi.
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