Jose Ribera, a native of Valencia in Spain, studied for some time under Francisco Ribalta, and afterwards found his way to Italy. At the age of sixteen, he was living in Rome, in a very destitute condition; subsisting on crusts, clothed in rags, yet endeavoring with unswerving diligence to improve himself in art by copying the frescos on the facades of palaces, or at the shrines on the corners of the streets. His poverty and industry attracted the notice of a compassionate Cardinal, who happened to see him at work from his coach-window; and he provided the poor boy with clothes, and food, and lodging in his own palace. Ribera soon found, however, that to be clad in good raiment, and to fare plentifully every day, weakened his powers of application; he needed the spur of want to arouse him to exertion; and therefore, after a short trial of a life in clover, beneath the shelter of the purple, he returned to his poverty and his studies in the streets. The Cardinal was at first highly incensed at his departure, and when he next saw him, rated him soundly as an ungrateful little Spaniard; but being informed of his motives, and observing his diligence, his anger was turned to admiration. He renewed his offers of protection, which, however, Ribera thankfully declined. RIBERA'S MARRIAGE. Ribera's adventure with the Cardinal, and his abilities, soon distinguished him among the crowd of young artists in Rome. He became known by the name which still belongs to him, Il Spagnoletto, (the little Spaniard,) and as an imitator of Michael Angelo Caravaggio, the bold handling of whose works, and their powerful effects of light and shade, pleased his vigorous mind. Finding Rome overstocked with artists, he went to Naples, where he made the acquaintance of a rich picture-dealer. The latter was so much pleased with Ribera's genius, that be offered him his beautiful and well-dowered daughter in marriage. The Valencian, not less proud than poor, at first resented this proposal as an unseasonable pleasantry upon his forlorn condition; but at last finding that it was made in good faith, he took "the good the gods provided," and at once stepped from solitary indigence into the possession of a handsome wife, a comfortable home, a present field of profitable labor, and a prospect of future opulence. RIBERA'S RISE TO EMINENCE.