Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
According to Pliny, Saurus and Batrarchus, two Lacedemonian architects,
erected conjointly at their own expense, certain temples at Rome, which
were afterwards enclosed by Octavius. Not being allowed to inscribe
their names, they carved on the pedestals of the columns a lizard and a
frog, which indicated them--_Saurus_ signifying a lizard, and
_Batrarchus_ a frog. Milizia says that in the church of S. Lorenzo there
are two antique Ionic capitals with a lizard and a frog carved in the
eyes of the volutes, which are probably those alluded to by Pliny,
although the latter says _pedestal_. Modern painters and engravers have
frequently adopted similar devices as a _rebus_, or enigmatical
representation of their names. See Spooner's Dictionary of Painters,
Engravers, Sculptors, and Architects; Key to Monograms and Ciphers, and
the twenty-four plates.
TRIUMPHAL ARCHES.
Triumphal arches are monuments consisting of a grand portico or archway,
erected at the entrance of a town, upon a bridge, or upon a public road,
to the glory of some celebrated general, or in memory of some important
event. The invention of these structures is attributed to the Romans.
The earliest specimens are destitute of any magnificence. For a long
time, they consisted merely of a plain arch, at the top of which was
placed the trophies and statue of the triumpher. Subsequently the span
was enlarged, the style enriched, and a profusion of all kinds of
sculptures and ornaments heaped upon them. The triumphal arches varied
greatly in point of construction, form, and decoration. The arch of
Constantine at Rome is the best preserved of all the great antique
arches; the Arch of Septimus Severus at the foot of the Capitoline hill,
greatly resembles that of Constantine. The Arch of Titus is the most
considerable at Rome. The Arch of Benvenuto, erected in honor of Trajan,
is one of the most remarkable relics of antiquity, as well on account
of its sculptures as its architecture. The Arch of Trajan at Ancona is
also one of the most elegant works of the kind. The Arch of Rimini,
erected in honor of Augustus, on the occasion of his repairing the
Flaminian Way from that town to Rome, is the most ancient of all the
antique arches, and from its size, one of the noblest existing. Many
beautiful structures of this kind have been erected in modern times, but
principally on the plan, and in imitation of some of the above
mentioned. Ancient medals often bear signs of this species of
architecture, and some of them represent arches that have ceased to
exist for centuries. Triumphal arches seem to have been in use among the
Chinese in very ancient times. Milizia says, "There is no country in the
world in which those arches are so numerous as in China. They are found
not only in the cities but on the mountains; and are erected in the
public streets in honor of princes, generals, philosophers, and
mandarins, who have benefitted the public, or signalized themselves by
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