A nobleman, not remarkable for personal beauty, once sat to Hogarth for his portrait, which the artist executed in his happiest manner, but with rigid fidelity. The peer, disgusted at this exact counterpart of his dear self, did not feel disposed to pay for the picture. After some time had elapsed, and numerous unsuccessful attempts had been made to obtain payment, the painter resorted to an expedient which he knew must alarm the nobleman’s pride. He sent him the following card:-- “Mr. Hogarth’s dutiful respects to Lord ----. Finding he does not mean to have the picture drawn for him, Lord ---- is informed again of Mr. Hogarth’s pressing necessity for money. If, therefore, his Lordship does not send for it in three days, it will be disposed of, with the addition of a tail and some other appendages, to Mr. Pau, the famous wild beast man; Mr. H. having given that gentleman a conditional promise of it for an exhibition picture, on his Lordship’s refusal.” This intimation had the desired effect; the picture was paid for, and committed to the flames. HOGARTH’S PICTURE OF THE RED SEA. Hogarth was once applied to, by a certain nobleman, to paint on his staircase a representation of the Destruction of Pharaoh’s host in the Red Sea. In attempting to fix upon the price, Hogarth became disgusted with the miserly conduct of his patron, who was unwilling to give more than half the real value of the picture. At last, out of all patience, he agreed to his terms. In two or three days the picture was ready. The nobleman, surprised at such expedition, immediately called to examine it, and found the space painted all over red. “Zounds!” said the purchaser, “what have you here? I ordered a scene of the Red Sea.” “The Red Sea you have,” said the painter. “But where are the Israelites?” “They are all gone over.” “And where are the Egyptians?” “They are all drowned.” The miser’s confusion could only be equalled by the haste with which he paid his bill. The biter was bit. HOGARTH’S COURTESY. Hogarth treated those who sat for their portraits with a courtesy which is not always practiced, even now, in England. “When I sat to Hogarth,” says Mr. Cole, “the custom of giving vails to servants was not discontinued. On taking leave of the painter at the door, I offered his servant a small gratuity; but the man politely refused it, telling me it would be as much as the loss of his place if his master knew it. This was so uncommon and so liberal in a man of Hogarth’s profession, at that time, that it much struck me, as nothing of the kind had happened to me before.” Nor is it likely that such a thing would happen again: Sir Joshua Reynolds gave his servant six pounds annually as wages, and offered him one hundred pounds a year for the door. HOGARTH’S ABSENCE OF MIND.