Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
This great painter was born at Paris in 1750. His countrymen have
conferred upon him the distinguished title of _The Head and Restorer of
the French School_, which he brought back from its previous gaudy and
affected style, to the study of nature and the antique. His reputation
was established as the first painter in France when the French
Revolution broke out, and filled with an ardent love of liberty, he lent
all his powers in overturning the government, and establishing the
Republic. For this purpose, in 1789, he executed his Brutus condemning
his sons to death. He also executed the designs for the numerous
republican monuments and festivals of the time. He was chosen a deputy
to the National Convention, and voted for the king’s death. During the
Reign of Terror, he was one of the most zealous Jacobins, wholly devoted
to Robespierre; and on the fall of that monster, he was thrown into
prison, and his great reputation as a painter alone saved him from the
guillotine. At length, disgusted with the excesses and revolting scenes
transpiring on all sides, and seeing no hopes of the Republic being
established on a permanent basis, he retired to private life, and
devoted himself exclusively to his pencil. When Napoleon came into
power, perceiving the advantage of employing such a painter as David to
immortalize his glorious victories on canvass, he appointed him his
chief painter, showed him every mark of his favor, and endeavored to
engage him to paint the successes of the French armies. But these
subjects were not congenial to his taste, which ran to the antique. “I
wish,” said he, “that my works may have so completely an antique
character, that if it were possible for an Athenian to return to life,
they might appear to him to be the productions of a Greek painter.” He
however painted several portraits of the Emperor and the members of the
Imperial family, and other subjects, the chief of which were, Napoleon
as First Consul crossing the Alps, and pointing out to his troops the
path to glory, and the Coronation of Napoleon.
On the restoration of the Bourbons, David was included in the decree
which banished all the regicides forever from France, when he retired to
Brussels, where he continued to practice his profession till his death
in 1825.
DAVID’S PICTURE OF THE CORONATION OF NAPOLEON.
Public-domain text, read in full here on John Shaqi.
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