Tristan was the favorite pupil of El Greco, to whom his master made over many commissions, which he was unable to execute himself. In this manner he was employed to paint the Last Supper, for the Hieronymite monastery of La Sisla. The monks liked the picture; but they thought the price which the artist asked for it, of two hundred ducats, excessive. They therefore sent for El Greco to value it; but when this master saw his pupil’s work, he raised his stick and ran at him, calling him a scoundrel and a disgrace to his profession. The monks restrained the angry painter, and soothed him by saying that the young man did not know what he asked, and no doubt would submit to the opinion of his master. “In good truth,” returned El Greco, “he does not know what he has asked; and if he does not get _five hundred_ ducats for the picture, I desire it may be rolled up and sent to my house.” The Hieronymites were compelled to pay the larger sum! ALONSO CANO. This eminent Spanish painter, sculptor, and architect, was born at Granada, according to Bermudez, in 1601. He early showed a passion for the fine arts, and exhibited extraordinary talents. He excelled in all the three sister arts, particularly in painting. There are many excellent works by Cano in the churches and public edifices at Cordova, Madrid, Granada, and Seville, which rank him among the greatest Spanish painters. As a sculptor, he manifested great abilities, and executed many fine works, which excited universal admiration. He also gained considerable reputation as an architect, and was appointed architect and painter to the king. CANO’S LIBERALITY. Cano executed many works for the churches and convents gratuitously. When he was young, he painted many pictures for the public places of Seville, which were regarded as astonishing performances. For these he would receive no remuneration, declaring that he considered them unfinished and deficient, and that he wrought for practice and improvement. CANO’S ECCENTRICITIES.