After a residence of three years at Madrid, Murillo returned to Seville, where he was commissioned to paint his great fresco of St. Thomas of Villanuova distributing alms to the poor, in the convent of San Francisco, consisting of sixteen compartments.--The subject suited his genius, and gave full scope for the display of his powers, which were peculiarly adapted to the representation of nature in her most simple and unsophisticated forms. The Saint stands in a dignified posture, with a countenance beaming with benevolence and compassion, while he is surrounded by groups of paupers, eagerly pressing forward to receive his charity, whose varied character and wretchedness are portrayed with wonderful art and truthfulness of expression. This and other works produced emotions of the greatest astonishment among his countrymen, established his reputation as one of the greatest artists of his age, and procured him abundant employment. MURILLO AND IRIARTE. About this time, Murillo was employed by the Marquis of Villamanrique, to paint a series of pictures from the life of David, in which the backgrounds were to be painted by Ignacio Iriarte, an eminent landscape painter of Seville. Murillo rightly proposed that the landscape parts should be first painted, and that he should afterwards put in the figures; but Iriarte contended that the historical part ought to be first finished, to which he would adapt the backgrounds. To put an end to the dispute, Murillo undertook to execute the whole, and changing the History of David to that of Jacob, he produced the famous series of five pictures, now in the possession of the Marquis de Santiago at Madrid, in which the beauty of the landscapes contends with that of the figures, and which remain a monument of his powers in these different departments of the art. MURILLO’S DEATH. The last work which Murillo painted was a picture of St. Catherine, in the convent of the Capuchins at Seville, his death being hastened by a fall from the scaffold. He died at Seville in 1685, universally deplored--for he was greatly beloved, not merely for his extraordinary talents, but for the generous qualities of his heart. Such was his noble and charitable disposition, that he is said to have left but little property, though he received large prices for his works. MURILLO’S STYLE.