Libri de Cataloghi, printed at Venice by Giolito, as early as 1552, says of Correggio, “He was a noble production of nature, rather than of any master: he died young, without being able to see Rome.” Were all other evidence wanting, this testimony of a cotemporary, who must have collected his information on the spot, and who published it within eighteen years after the death of Correggio, must be allowed to carry great weight. SINGULAR FATE OF CORREGGIO’S ADORATION OF THE SHEPHERDS. A few days before the entry of the French into Seville, during the Peninsular war, when the inhabitants in great consternation were packing up their most valuable effects to send them to Cadiz, a masterpiece of Correggio, in one of the convents, representing the Adoration of the Shepherds, painted on wood, was sawn in two, for its more easy carriage to a place of safety, to preserve it from the enemy. By some accident, the two parts were separated on their way to Cadiz; and on their arrival in that city, one part was sold to one connoisseur, with the promise that the part wanting should subsequently be delivered to him; while the other part was sold to another connoisseur under the same engagement. Both the parts arrived in England, and the possessor of each maintained that he was entitled to the other. It is somewhat remarkable that though the harmony of the picture is somewhat broken by the separation, yet each part forms of itself an admirable picture, and as the rival proprietors are rich and obstinate, the parts are not likely to be united. The whole picture is reckoned to be worth about 4,000 guineas. CURIOUS HISTORY OF CORREGGIO’S “EDUCATION OF CUPID.”