convent.” It is hardly necessary to add that the Duke was perfectly satisfied with this apology. The artist soon after met with his Judas, and finished his great work. It is stated by several Italian writers that Da Vinci, out of revenge, did actually take this liberty with the prior. DA VINCI’S DRAWINGS OF THE HEADS IN HIS CELEBRATED LAST SUPPER. The series of drawings for the celebrated work of the Last Supper, which were formerly in the Ambrosian Library at Milan, are now in the possession of Sir Thomas Baring. From the great injuries which that sublime composition has sustained, these may be considered as among the most precious reliques of this master. The drawing which represents the head of the Saviour is magnificent, and probably superior to the same head in the picture, which is said to have been left unfinished. Whether this circumstance arose from the troubles which then existed in Italy, and in which the Sforza family were so immediately engaged, or from a feeling on the part of the artist, that he had not been able to surpass that sublimity of character to which he had attained in his first design, and therefore left the same to a more happy moment, may now be matter of speculative conjecture. FRANCIS I. AND THE LAST SUPPER OF VINCI. Francis I. was so struck with admiration when he first saw the Last Supper of Da Vinci, that he resolved to carry it to France. For this purpose he attempted to saw it from the wall; but finding that he could not detach it without destroying the picture, he abandoned the project. AUTHENTICATED WORKS OF DA VINCI.