Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
It is often seen, that when kings patronize genius, instead of allowing
it to develop itself according to its own laws, they hamper it according
to their own preconceived fancies. The palace at Hampton Court is
censured for its ill proportions; but Cunningham says that Wren moved
under sad restraints from the commissioners in one place, and the court
in the other. When the lowness of the cloisters under the apartments of
the palace was noticed by one of the courtiers, King William turned on
his heel like a challenged sentinel, and answered sharply, “Such were my
express orders!” The rebuked nobleman bowed, and acquiesced in the royal
taste. When St. Paul’s Cathedral was nearly completed, the “nameless
officials” called commissioners of that edifice, decided to have a stone
balustrade upon the upper cornice, and declared their determination to
that effect, “unless Sir Christopher Wren should set forth that it was
contrary to the principles of architecture.” To this resolution, in
which blind ignorance gropes its way, calling on knowledge to set its
stumblings right, Wren returned the following answer: “I take leave
first to declare I never designed a balustrade. Persons of little skill
in architecture did expect, I believe, to see something that had been
used in Gothic structures, and _ladies think nothing well without an
edging_.” After this deserved satire, he showed clearly, at considerable
length, that a balustrade was not in harmony with the general plan and
unique combinations of the edifice; but his opinion was disregarded, and
the balustrade was placed on the cornice.
THE GREAT FIRE IN LONDON.
While the discussions were going on whether St. Paul’s Cathedral should
be restored, or the entire edifice be rebuilt, the great fire in London,
in 1666, not only decided this question, but opened an extensive field
for the display of Wren’s talents in various other metropolitan
buildings. One of his immediate labors, arising from the conflagration,
was a survey of the whole of the ruins, and the preparation of a plan
for laying out the devastated space in a regular and commodious manner,
with wide streets, and piazzas at intervals, which he laid before
Parliament; but his plans were not adopted, and the new streets arose in
that dense and intricate maze of narrow lanes, which even now are but
slowly disappearing before modern improvements. Furthermore, instead of
the line of spacious quays along the Thames which Wren proposed, the
river is shut out from view by wharfs and warehouses, to such an extent
as to render any adequate scheme for the improvement of its banks hardly
practicable. London might have arisen from her ashes the finest city in
the world, had Wren’s plans been followed.
ST. PAUL’S CATHEDRAL.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account