In person, Banks was tall, with looks silent and dignified, and an earnestness of carriage that well became him; he spoke seldom; he had a winning sweetness in his way of address, and a persuasive manner which was not unfelt by his academic companions. He was simple and frugal in his general style of living, yet liberal to excess in all that related to the encouragement of art; his purse was open to virtuous sufferers, and what is far more, he shrank not from going personally into the houses of the poor and sick, to console and aid them in adversity. In his younger days it was his custom to work at his marbles in the solitude of the Sabbath morning, when his assistants were not at hand to interrupt him; but as he advanced in life he discontinued the practice, and became an example to his brother artists in the observance of the Sabbath day. He grew strict in religious duty, and, like Flaxman, added another to the number of those devout sculptors, whose purity of life, and reach of intellect, are an honor to their country. FLAXMAN’S TRIBUTE TO BANKS. That Flaxman appreciated and honored Banks’ genius, he was ever ready to give strong proof.--“We have had a sculptor,” he says in one of his lectures, “in the late Mr. Banks, whose works have eclipsed the most, if not all his continental cotemporaries.” On another occasion--that of the sale of the sculptor’s models--Mrs. Siddons and Flaxman were seated together, when the auctioneer began to expatiate upon the beauty of an antique figure, saying, “Behold where the deceased artist found some of his beauties.” “Sir,” exclaimed Flaxman, more warmly than was his wont, “you do Mr. Banks much wrong, _he_ wanted no assistance.” Banks died in 1805. In Westminster Abbey a tablet is erected with this inscription, “In memory of Thomas Banks, Esq., R. A., Sculptor, whose superior abilities in the profession added a lustre to the arts of his country, and whose character as a man reflected honor on human nature.” JOSEPH NOLLEKENS, THE ENGLISH SCULPTOR. Cunningham says, “He was passionately fond of drawing and modelling, and labored early and late to acquire knowledge in his profession; yet he was so free from all pride, or so obliging by nature, that he would run on any errand; nor did he hesitate to relate, in the days of his wealth and eminence, how he used to carry pots of porter to his master’s maids on a washing day, and with more success than Barry did when he treated Burke, ‘for,’ says he, ‘I always crept slowly along to save the head of foam that the lasses might taste it in all its strength.’ Such traits as these, however, I cannot consent to set down as incontrovertible proofs of a mean and vulgar spirit; nay, they often keep company with real loftiness of nature.” NOLLEKENS’ VISIT TO ROME.