It has been remarked by some close observer, that modesty is like shadow in a picture--too much of it obscures real excellence, while the proper medium exhibits all parts in agreeable relief. John Riley, an English portrait painter who flourished in the latter part of the seventeenth century, was a proof that one may have a superabundance of this in itself excellent quality. Walpole says, “He was one of the best native artists who had flourished in England; but he was very modest, had the greatest diffidence of himself, and was easily disgusted with his own works. His talents were obscured by the fame rather than by the merit of Kneller, and with a quarter of the latter’s vanity, he might have persuaded the world that he was as great a master.” He was but little noticed until the death of Lely, when Chiffinch being persuaded to sit to him, the picture was shown, and recommended him to the king. Charles II. sat to him, but almost discouraged the bashful artist from pursuing a profession so proper for him. Looking at the picture, he cried, “Is this like me? Then od’s fish, I’m an ugly fellow!” This discouraged Riley so much that he could not bear the picture, though he sold it for a large price. However, he kept on, and had the satisfaction of painting James II. and his Queen, and also their successors, who appointed him their painter. Riley died three years after the accession of William and Mary, in 1691. THE ARTIST FOOTMAN. Edward Norgate, an English painter of excellent judgment in pictures, was sent into Italy by the Earl of Arundel to purchase works of art. On returning, however, he was disappointed in receiving remittances, and was obliged to remain some time in Marseilles. Being totally unknown there, he used frequently to walk for several hours in a public part of the city, with a most dejected air; and while thus engaged, he was occasionally observed by a merchant, who, doubtless impelled by kind feelings, ventured one day to speak to the wanderer, and told him that so much walking would have soon brought him to the end of his journey, when Norgate confessed his inability to proceed for want of money. The merchant then inquired into his circumstances, and told him that perceiving he was able to walk at least twenty miles a day, if he would set out on his journey homeward, he would furnish him handsomely for a foot traveler. By this assistance, Norgate arrived in his own country. AN ARCHITECT’S STRATAGEM.