Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
The Campus Martius was a large plain without the city of Rome, which was
adorned with a multitude of statues, the spoils of war; also with
columns, arches, and porticos. The public assemblies were held there,
the officers of state chosen, and audience given to foreign ambassadors;
there, also, the Roman youths performed their exercises, learned to
wrestle and box, to throw the discus, hurl the javelin, ride a horse,
drive a chariot, etc.
ELECTIONEERING PICTURES AT ROME.
The Roman commanders made a singular use of painting to advance their
interests. Their inordinate love of military fame discovered a mode of
feeding that ruling passion by means of this charming art. According to
Valerius Maximus, Massala was the first who, when he offered himself for
the consulship, instead of sitting in the market-place, dressed in the
white robe of humility, and pointing to his wounds like Coriolanus,
“Show them the scars that I would hide,
As if I had received them for the hire
Of their breath only,”
caused a picture to be hung up in the portico Hostilia, representing the
battle of Messana, where he had vanquished both the Carthagenians and
Syracusans. The picture told the story of his achievements to the best
advantage, and secured his election. Scipio Africanus was greatly
incensed against his brother, Lucius Scipio, for placing in the Capitol
a picture of the battle near Sardis, which won him the title of
Asiaticus, but in which, his nephew, the son of Africanus, was taken
prisoner. Again, Scipio Emilianus was highly offended at the display of
a picture of the Taking of Carthage, exhibited in the market-place by
Lucius Hostilius Mancinus. It appears that Mancinus was the first to
enter the city, and on his return to Rome, being desirous of the
consulship, he had a picture painted, representing the situation of the
town, its strong fortifications, all the machines used in the attack and
defense, and the actions of the besiegers, in which care was taken that
those of Mancinus should be most conspicuous. This he hung up in the
Forum, and personally explained to the people in such a manner, that he
won their good will, and gained the consulship. We learn from Quintilian
that the lawyers of Rome often made use of pictures in their pleadings
for the purpose of moving the judges.
DRAMATIC SCENERY AT ROME.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account