Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
Stuart was an inveterate punster. Mr. Allston, calling on him a short
time before his death, asked him how he was. “Ah!” said he, drawing up
his pantaloons, and showing his emaciated leg, which in his youth had
been his pride, “you can judge how much I am _out of drawing_.”
STUART BORN IN A SNUFF-MILL.
Stuart was an inordinate snuff-taker. He used to jocosely apologize for
the habit, by saying that “he was born in a snuff-mill,” which was
literally true, for his father was a manufacturer of snuff. He said, “a
pinch of snuff had a wonderful effect upon a man’s spirits.” An old sea
captain once observed to him, “you see, sir, I have always a nostril in
reserve. When the right becomes callous after a few weeks’ usage, I
apply for comfort to the left, which having had time to regain its sense
of feeling, enjoys the _blackguard_ till the right comes to its senses.”
“Thank you,” said Stuart, “it’s a great discovery. Strange that I should
not have made it myself, when I have been voyaging all my life in these
channels.”
STUART’S NOSE.
Stuart always maintained that a likeness depended more on the _nose_,
than any other feature, and in proof of his theory, he would put his
thumb under his own large and flexible proboscis, and turning it up,
exclaim, “who would know my portrait with such a nose as this?”
Therefore, he is said to have generally painted a likeness, before
_putting in_ the eyes. On one occasion, a pert young coxcomb, who was
sitting for his portrait, stole a glance at the canvass and exclaimed,
“why, it has no eyes!” Stuart coolly observed, “It is not nine days old
yet,” referring of course to the time when a _puppy_ first opens its
eyes.
STUART’S SITTERS.
A portrait was once returned to Stuart with the grievous complaint, that
the muslin of the cravat was too coarsely executed. Stuart indignantly
observed to a friend, “I am determined to glue a piece of muslin of the
finest texture on the part that offends their _exquisite_ judgment, and
send it back again.” A lady once sat to him dressed in the extreme of
fashion, loaded with jewelry and gewgaws, besides an abundance of hair
powder and rouge. Stuart, being _hard up_ for cash, consented to “raise
a monument to her folly.” After the picture was completed, he observed
to a friend, “There is what I have all my life been endeavoring to
avoid,--vanity and bad taste.”
Public-domain text, read in full here on John Shaqi.
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