Another day, when he was ill, and exceedingly low-spirited, and persuaded that death was not far distant, I appeared before him in a dark-coloured gown, which his bad sight, and worse apprehensions, made him mistake for an iron-grey. "Why do you delight," said he, "thus to thicken the gloom of misery that surrounds me? Is not here sufficient accumulation of horror without anticipated mourning?" "This is not mourning, sir," said I, drawing the curtain, that the light might fall upon the silk, and show it was a purple mixed with green. "Well, well," replied he, changing his voice, "you little creatures should never wear those sort of clothes, however; they are unsuitable in every way. What! have not all insects gay colours?" I relate these instances chiefly to show that the fears of death itself could not suppress his wit, his sagacity, or his temptation to sudden resentment. Mr. Johnson did not like that his friends should bring their manuscripts for him to read, and he liked still less to read them when they were brought. Sometimes, however, when he could not refuse, he would take the play or poem, or whatever it was, and give the people his opinion from some one page he had peeped into. A gentleman carried him his tragedy, which, because he loved the author, Johnson took, and it lay about our rooms some time. "What answer did you give your friend, sir?" said I, after the book had been called for. "I told him," replied he, "that there was too much _Tig_ and _Tirry_ in it!" Seeing me laugh most violently, "Why, what would'st have, child?" said he. "I looked at the dramatis, and there was _Tig_ranes and _Tiri_dates, or Teribazus, or such stuff. A man can tell but what he knows, and I never got any farther than the first page. Alas, madam!" continued he, "how few books are there of which one ever can possibly arrive at the _last_ page. Was there ever yet anything written by mere man that was wished longer by its readers, excepting 'Don Quixote,' 'Robinson Crusoe,' and the 'Pilgrim's Progress?'" After Homer's Iliad, Mr. Johnson confessed that the work of Cervantes was the greatest in the world, speaking of it I mean as a book of entertainment. And when we consider that every other author's admirers are confined to his countrymen, and perhaps to the literary classes among _them_, while "Don Quixote" is a sort of common property, an universal classic, equally tasted by the court and the cottage, equally applauded in France and England as in Spain, quoted by every servant, the amusement of every age from infancy to decrepitude; the first book you see on every shelf, in every shop, where books are sold, through all the states of Italy; who can refuse his consent to an avowal of the superiority of Cervantes to all other modern writers? Shakespeare himself has, till lately, been worshipped only at home, though his plays are now the favourite amusements of Vienna; and when I was at Padua some