"That which before thee lies in daily life." MILTON. And when he talked of authors, his praise went spontaneously to such passages as are sure in his own phrase to leave something behind them useful on common occasions, or observant of common manners. For example, it was not the two _last_, but the two _first_ volumes of "Clarissa" that he prized; "for give me a sick-bed and a dying lady," said he, "and I'll be pathetic myself. But Richardson had picked the kernel of life," he said, "while Fielding was contented with the husk." It was not King Lear cursing his daughters, or deprecating the storm, that I remember his commendations of; but Iago's ingenious malice and subtle revenge; or Prince Hal's gay compliance with the vices of Falstaff, whom he all along despised. Those plays had indeed no rivals in Johnson's favour: "No man but Shakespeare," he said, "could have drawn Sir John." His manner of criticising and commending Addison's prose was the same in conversation as we read it in the printed strictures, and many of the expressions used have been heard to fall from him on common occasions. It was notwithstanding observable enough (or I fancied so) that he did never like, though he always thought fit to praise it; and his praises resembled those of a man who extols the superior elegance of high painted porcelain, while he himself always chooses to eat off _plate_. I told him so one day, and he neither denied it nor appeared displeased. Of the pathetic in poetry he never liked to speak, and the only passage I ever heard him applaud as particularly tender in any common book was Jane Shore's exclamation in the last act-- "Forgive me! _but_ forgive me!"