Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
think, to put an audience into a good humour.
"I had forgot to mention a scene in this Opera which is remarkably
beautiful; I am told it was painted by the celebrated Salvandoni, and
is the representation of a magnificent hall, adorned with arms and
trophies. There was a full house; and the spectators expressed their
approbation by unanimous applause."
The Oratorio of Judas Maccabæus was performed on the 18th of January
1760 at the Music-room in Dean-street, Soho, which was the first night
of subscription. The pit seats were 10_s._ 6_d._ and the gallery 5_s._;
the performers Signora Passerini, Miss Frederick, Mr. Hudson, and Mr.
Champness; and the chorus contained the best singers of the Chapel
Royal and St. Paul's. The music-room is now Christie's Auction-room for
furniture, and seems in a state of ruin.
WHITE CONDUIT HOUSE[224:A].
_And to_ White Conduit _House
We will go, will go, will go_.
Grub-street Register.
"Wish'd Sunday's come--mirth brightens ev'ry face,
And paints the rose upon the house-maid's cheek,
Harriot, or Moll, more ruddy. Now the heart
Of prentice resident in ample street,
Or alley kennel-wash'd, Cheapside, Cornhill,
Or Cranborne, thee for calcuments renown'd,
With joy distends. His meal meridian o'er,
With switch in hand, he to the White Conduit House
Hies merry-hearted. Human beings here
In couples multitudinous assemble,
Forming the drollest groupe that ever trod
Fair Islingtonian plains. Male after male,
Dog after dog succeeding--husbands--wives--
Fathers and mothers--brothers--sisters--friends
And pretty little boys and girls. Around,
Across, along, the garden's shrubby maze,
They walk, they sit, they stand. What crowds press on
Eager to mount the stairs, eager to catch
First vacant bench or chair in long-room plac'd!
Here prig with prig holds conference polite,
And indiscriminate the gaudy beau
And sloven mix. Here he, who all the week
Took bearded mortals by the nose, or sat
Weaving dead hairs, and whistling wretched strain--
And eke the sturdy youth, whose trade it is
Stout oxen to contund,--with gold-bound hat
And silken stocking strut. The red-arm'd belle
Here shews her tasty gown, proud to be thought
The butterfly of fashion: and forsooth
Her haughty mistress deigns for once to tread
The same unhallow'd floor--'Tis hurry all
And rattling cups and saucers. Waiter here,
And waiter there, and waiter here and there,
At once is call'd--Joe--Joe--Joe--Joe--Joe--
Joe on the right--and Joe upon the left,
For ev'ry vocal pipe re-echoes Joe.
Alas, poor Joe! Like Francis in the Play
He stands confounded, anxious how to please
The many-headed throng. But should I paint
The language, humours, custom of the place,
Together with all curt'sies, lowly bow,
Public-domain text, read in full here on John Shaqi.
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