Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
"The Letter-writer, with great ease, desires the Publick not
to go to my benefit, notwithstanding I had taken infinite
pains to endeavour to entertain them the whole season
through; his reason for that extraordinary request is, that
I was to have a French farce, wrote by a poor wretched
author, translated into English, and called _The Island of
Slaves_:--and then, with great art and malice, he jumbles
together some popular words, as, _French Farce_, _English
Liberty_, _Island of Slaves_! 'What can Englishmen have to
do in the _Island of Slaves_?' Poor wretched insinuation! Is
it possible for any body to suppose, if there had been one
syllable in the piece that had the least tendency to sneer
at, or affront, the liberties of this country, that the
managers would have suffered it to have been acted; or that
the Lord Chamberlain would have given his sanction; or that I
could have been such a fool as to dare to affront the publick
with such a performance on my own benefit-night? I hope I may
be indulged (though a woman) to say I have always despised
the French Politicks; but I never yet heard that we were at
war with their Wit.
"It is imputed to _me_, by the author of the letter, as a
crime, that I should have a piece taken from the French
for my benefit; when at the same time I believe one part
in three of the Comedies and little pieces, that are now
acting at both the Theatres, are acknowledged to be taken
from the French; besides those that both antient and modern
authors have sneaked into the Theatres without confessing
from whence they came. I shall take the liberty to mention
two that are known translations: _The Confederacy_, by Sir
John Vanbrugh, one of our best Comedies, revived about two
years ago, and acted to crowded houses with great applause;
_The Guardian_, another French piece, brought on about
the same time, and received with the highest approbation:
both these performances acted at a time when we were at war
with France, as we are now. 'Ay,' but says the good-natured
Letter-writer, '_The Island of Slaves_ (tremendous title!)'
I think I have made his malice appear pretty plain; I shall
not have the least difficulty in making his ignorance full as
conspicuous. It does not seem, by the style of his letter,
that he is very intimately acquainted with his own language,
but it is evident he knows nothing of the French; for if
he had been capable of reading Mons. Marivaux's _Isle des
Esclaves_, he could not have been quite so clumsy a critick,
as to say he is a poor paltry author, when he is acknowledged
by all people of taste and judgment to be one of the very
best writers the French have. Then, as to his malicious
insinuation, _The Island of Slaves_ is so very far from being
Public-domain text, read in full here on John Shaqi.
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