Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
It was about this time that the taste of the Town became
vitiated: one remarkable instance I cannot forget. In January
1717 some dancers arrived from France, and with them one
Swartz, a German. This man brought over two dogs, whom
he had taught to dance the louvre and minuet; they were
immediately engaged by Rich, at ten pounds _per_ night,
and brought above twenty good houses, when the Othello of
Booth, the Wildair of Wilks, and the Foppington of Cibber,
were neglected, and did not bring charges. The town, who were
formerly unanimous in supporting the stage, now were formed
into different parties; some preferred sense to sound, others
were for the Opera and Pantomime, and the actors, as Colley
Cibber remarks, 'were very near being wholly laid aside,
or, at least, the use of their labour was to be swallowed
up, in the pretended merit of singing and dancing.' I must,
however, not forget to mention, that a few years ago, some
ladies of the first distinction, eminent for their just
taste, entered into a society, and distinguished by the name
of the Shakspeare Club, in order to support his plays on the
stage. Many verses were written on this occasion; one stanza
I remember:
"No more shall Merit's passion fail,
Since Beauty wit and knowledge prize,
Whose bright example shall prevail,
And make it fashion to be wise.
"I must do justice to the managers of the Dublin Theatres,
in commending their care and assiduity to please the Town;
and could wish, instead of importing from Sadler's-wells
wire-dancers, &c. they would revive some select plays of
Shakspeare and Jonson.
"I have at my leisure hours drawn up the following scale of
the merits of the performers on the Irish stage; I have no
connections with either Theatre or Managers, but am a lover
of Truth and the Drama. I am, &c.
THEATRICUS.
"_Dublin._
"A SCALE of the Merits of the Performers on the Irish Stage,
1763.
Men. |Trag.|Com.|| Women. |Trag.|Com.
----------+-----+----++-----------+-----+----
Barry | 20 | 10 ||Dancer | 14 | 16
Mossop | 15 | 6 ||Fitz-Henry | 14 | 6
Sheridan | 15 | 6 ||Abington | 0 | 18
Macklin | 8 | 15 ||Hamilton | 10 | 12
Sowdon | 13 | 12 ||Kennedy | 8 | 10
Dexter | 10 | 12 ||Kelf | 8 | 10
T. Barry | 10 | 8 ||Barry | 8 | 10
Ryder | 6 | 12 ||Jefferson | 6 | 8
Stamper | 0 | 12 ||Ambrose | 0 | 8
Sparks | 0 | 12 ||Mahon | 0 | 6
Jefferson | 8 | 10 ||Roach | 0 | 6
Heaphy | 6 | 8 ||Parsons | 0 | 6
Reddish | 6 | 8 || | |
Walker | 0 | 8 || | |
Glover | 4 | 8 || | |
Mahon | 4 | 6 || | |
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account