Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
Beer-houses, or, as they are generally termed, Public Houses, render
our streets extremely unpleasant in summer; but delicacy forbids my
adding more on the subject. Would that equal delicacy in the keepers
would _turn their customers backwards_!
So much for the Streets. Repairing-leases contribute greatly to the
handsome appearance of the Houses; every thing is in order; and the
clause for painting the fronts triennally keeps the woodwork as clean
and bright as our fogs and the coal smoke will permit. The shop-keeper
prides himself on the neatness of his shop-front; his little portico,
and the pilasters and cornices, are imitations of Lydian, serpentine,
porphyry, and verde antique marbles; and those who have the good
fortune to serve any branch of the Royal Family immediately place large
sculptures of their several arms and supporters over their doors, and
their own names and business in golden characters. The great windows
of large panes exhibit the richest manufactures, and the doors of the
Linen drapers are closed by draperies of new muslins and calicoes. Some
wags pretend indeed that the tradesman has a double motive in this
proceeding--the darkening of his premises to prevent keen eyes from
discovering coarse threads, and embellishing his shop.
The Goldsmiths and Jewellers, and some Pawnbrokers, indulge the
publick with the view of diamonds, pearls, rubies, emeralds, gold,
and silver, in most fascinating quantities; but the Watch-makers and
Glassmen eclipse all competitors in the display of fanciful clocks set
in alabastor, or _molu_, gold and silver, and the richest cut glass
lighted by patent lamps at night. The Bookseller exposes copies of the
most expensive works in his windows, and the Printsellers those of the
best artists. The Undertaker covers his panes with escutcheons, crowns,
coronets, and mitres of gold; and contrives to introduce the lid of a
little velvet coffin, which is intended to lead the eye to full-sized
real ones preparing for the dead.
The Lottery-office-keeper attracts a crowd by numbers of tickets and
shares disposed for sale, and always places a paper _memento_ at
the elbow, of "No. &c. &c. sold at this office in the last lottery,
drawn a prize of 30,000_l._" Hence the Lucky Office and _Only_ Lucky
Office[403:A].
Public-domain text, read in full here on John Shaqi.
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