Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
The following quotation from the first number of "The Secret Mercury,"
published September 9, 1702, gives a better idea of one of the
Drolls or Interludes of the day than any I have previously met with:
"Wednesday September 2, having _padlocked my pockets_, and trimmed
myself with Hudibras from head to foot, I set out about six for
Bartholomew Fair; and, having thrown away _substantial silver_ for
visionary Theatrical entertainment, I made myself ready for the Farce;
but I had scarce composed myself when bolts me _into the Pit_ a bully
beau," &c. &c. "The curtain drew, and discovered a nation of beauish
machines; their motions were so starched, that I began to question
whether I had mistaken myself and Dogget's booth for a Puppet-shew. As
I was debating the matter, they advanced toward the front of the stage,
and making a halt began a singing so miserably, that I was forced to
tune my own whistle in romance ere my brains were set strait again.
All the _secret_ I could for my life discover in the whole grotesque
was the consistency or drift of the piece, which I could never
demonstrate to this hour. At last all the childish parade shrunk off
the stage by matter and motion, and enter a _hobletehoy_ of a dance,
and Dogget in old woman's petticoats and red waistcoat, as like Progue
Cock as ever man saw; it would have made a Stoick split his lungs, if
he had seen the temporary harlot sing and weep both at once; a true
emblem of a woman's tears. When these Christmas carols were over,
enter a _wooden_ horse; now I concluded we should have the ballad of
Troy-town, but I was disappointed in the scene, for a dancing-master
comes in, begins a complimenting the horse, and fetching me three or
four run-bars with his arm (as if he would have mortified the ox at
one blow) takes a frolick upon the back of it, and translates himself
into cavalry at one bound: all I could clap was the _patience_ of
the beast. However, having played upon him about half a quarter, the
conqueror was pursued with such a clangor from the crusted clutches of
the mob in the _sixpenny place_, that for five minutes together I was
tossed on this dilemma, that either a man had not five senses, or I
was no man. The stage was now overrun with nothing but Merry Andrews
and Pickle-herrings. This Mountebank scene was removed at last, and I
was full of expectation the successor would be Pills, Pots of Balsam,
and Orvietan; but, alas, they were but half Empiricks, and therefore
_Exeunt omnes_."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account