Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
The Theatre in Lincoln's-inn-fields seems entitled to the exclusive
honour of introducing Harlequinades to the publick. The manager is
mentioned in 1723 to have been particularly successful; so much
so as to have excited the envy of his brethren of Drury-lane, who
determined either to ridicule, or eclipse him, by the introduction of
a piece called "Blind Man's Buff, supported by the freaks of _eight_
Harlequins." My author of the Weekly Journal adds: "The thing was so
ridiculous, there was no musick to be heard but hissing."
A Footman's gallery is mentioned at the Opera-house in the papers of
this date, with the addition that its frequenters were so insolent and
noisy that threats of shutting it were circulated.
The Cock-pit and Bowling-green before-mentioned, back of Gray's Inn
gardens, was let on a building lease in 1723.
In the month of December an entertainment or pantomimic performance was
produced at the Theatre in Lincoln's-inn-fields, founded on the old
story of Dr. Faustus, written by Mr. Thurmond, with musick by Monsieur
Galliard. The publications of the day take such repeated notice of it,
and appear to think it so very wonderful, I shall venture to give the
story _verbatim_ from the Universal Journal of December 11.
"At the drawing of the curtain, Dr. Faustus's study is discovered; the
Doctor enters, pricks his finger, and with the blood signs a contract;
it thunders; and a Devil, riding on a fiery dragon, flies swiftly cross
the stage: the Devil alights, receives the contract, and embraces Dr.
Faustus, delivers him a wand, and vanishes. Two Countrymen and women
enter to be told their fortunes; the Doctor waves his wand, and four
pictures turn out of the scenes opposite to these country people,
representing a Judge, a Soldier, a dressed Lady, and a Lady in a riding
habit: Dr. Faustus, by his action, shews them they are to be what is
represented in those pictures. The scene changes, and discovers the
outside of a handsome house; the two men and women enter, as returning
home; as they are going off the Doctor seizes the two women; the
Countrymen return to rescue their wives; the Doctor waves his wand,
four Devils enter, the men are frighted, run up the steps of the house,
clap their backs against the door, the front of the house immediately
turns, and the husbands are thrown out of the stage; the wives remain
with the Doctor; and at the same instant the machine turns, a supper
ready dressed rises swiftly up, and a Devil is transformed into
an agreeable shape, who dances whilst they are regaling, and then
vanishes. The husbands appear at the window, threatening the Doctor,
who by art magic have large horns fixed to their heads, that they can
neither get out nor in. Dr. Faustus and the women go out; he beckons
the table, and it follows him off. The scene changes to the street.
Punch, Scaramouch, and Pierro enter in Scholars gowns and caps; they
are invited into the Doctor's house by a Devil: they enter, and the
Public-domain text, read in full here on John Shaqi.
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