Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
And Lola moving beside him with her graceful, undulating walk, looking
up, and talking quickly all the time. She felt, as she watched them
slowly disappear into the sitting-out verandah, as if the sun had been
extinguished by a huge black cloud.
Lola was an enchantress. She herself had felt her influence, and was
powerless. As she sat in a sort of dream, she heard a man's voice say,
"Is she not ripping? Old Graydon lost his heart to her coming out."
"Yes," said another, "and young Tudor lost two hundred pounds to her,
which is ten times worse." But, of course, they were not alluding to
anyone she knew.
The _tête-à-tête_ in the verandah lasted till carriages began to come
rumbling under the big porch, and when Philip and Lola reappeared, she
looked conspicuously radiant.
CHAPTER XXIX
LAST YEAR'S NEST
RESIDENCY parties invariably broke up in good time, and it was not more
than half-past ten when Colonel Gascoigne handed his wife into her
brougham, and set off, according to his custom, to walk home. To-night
he had unusual food for thought, as he proceeded at a leisurely pace,
smoking a most excellent Residency cheroot. So Lola had risen on the
horizon in the character of a fascinating widow, with all the liberty,
prestige, and self-possession usual to her class. How wonderful her
eyes were! He came to a momentary standstill as he recalled them, and
how her voice trembled as she talked of "long ago," and separation,
and the cruelty of circumstance, and misapprehension. She revived a
phase of his existence that he had almost forgotten; it was a little
difficult to realise that he had been madly in love with her once.
That was nearly fifteen years ago—how time flew—in the good old days
when she could play cricket and rounders, and did not know how to use
her eyes. These reflections were abruptly brought to a conclusion by
the appearance of a bare-headed lady in silvery opera cloak, who was
evidently awaiting him under an acacia tree by the edge of the maidan.
It was Angel, who, acting on a sudden impulse, had stopped the brougham
and descended, and sent it home empty. She felt that she must escape
from her own company, her own terrible thoughts. She must talk
to Philip about Lola without delay. No, she could not wait, even
half-an-hour, for she was mentally staggering under the impact of a new
sensation—the name of the sensation was jealousy. Her very soul was in
a fever. Naturally highly-strung, fervent, and impetuous, Angel's whole
being was centred in the longing to know what her husband thought of
Lola—what of her—_which_ of them did he love?
And as she stood by the roadside awaiting his coming, her heart seemed
to beat, "Lola, Lola, Lola," and the distant frogs chorussed "Lola,
Lola, Lola."
They were holding a reception in a neighbouring tank, safe from the
barbarous paddy bird, and the ruthless crane.
* * * * *
Public-domain text, read in full here on John Shaqi.
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