Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"We are," admitted her companion; "an old friend of Philip's mother, a
lover, I believe, died a year ago, and left him three thousand a year."
"Nonsense," sitting erect; "fancy remaining in this country."
"Philip likes it—his heart is in his work. He would hate to retire,
and just live in London clubs and in a house in Mayfair."
"What do you know of Mayfair?"
"Not much, but I lived there once." A pause, and then Angel suddenly
said, "Please tell me about Philip's mother."
"Oh, Aunt Ven, as we called her. She was beautiful; such a lovely
face, a little sad—a good woman. It was said that in her first season,
she took London by storm, also her second, and at the height of her
glory she dropped out of the firmament; and was seen no more."
"Was there not a reason?"
"None, beyond a mere surmise; people hinted at a love affair—and
a mischief-maker. Ten years after she reappeared as Mrs.
Gascoigne—married someone who did not expect a whole heart-devouring
passion. Her son," again that crooked smile, "you see has done the
same."
"You mean in marrying me," said Angel quickly.
Lola pulled herself together. Had that glass of Burgundy gone to her
head? She must be more wary. This kind of talk was so full of pitfalls.
"Of course," she replied, taking Angel's hand in hers, "you make him
far happier than I could have done, and you are just the right age—the
early twenties."
"But you look in the twenties yourself. How do you manage it?"
"Oh, I try to get the very most out of life, by keeping in touch with
what is pleasing. I never see or hear anything disagreeable—be gay,
and you remain young." And Lola released her companion's fingers with a
squeeze.
"But if you feel things terribly, and are sorry for people, and
animals, and misery?"
"Oh, that is fatal, it means bad nights, and wrinkles, and horrors; I
cannot afford to be emotional, I am a poor solitary woman. If you read
sad books, and sing sad songs, and mix with sad people, you become sad
yourself. Do you know that you look rather sad—it was the first thing
that struck me when I saw you."
"Oh, but I'm not," rejoined Angel, and the colour rose to her face;
"I'm really supposed to be rather frivolous and——"
"And here is my gharry coming back," interrupted the visitor, "and,
alas! I must go. I'll see you at the theatre this evening, won't I?
And you are going to see a great deal of _me_, dear. I hope you won't
mind." As she spoke, Mrs. Waldershare embraced the astonished Angel
with much _empressment_, went gracefully down the steps, ascended into
her hired conveyance, and was presently rattled away.
CHAPTER XXXII
BY PROXY
Public-domain text, read in full here on John Shaqi.
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