Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"Very well," assented her hostess, "do just what you please." She was
so anxious to depart that she was prepared to promise anything—oh
anything, in order to escape. Yes, it had come to that. As long as
she was within reach of Lola's extraordinary personal charm, she felt
benumbed, a strange, unhappy, powerless mortal. Lola's magnetism
and will force were so strong, that Angel shivered inwardly as she
realised that if her companion had exerted them to throw obstacles
in her path, she would have succumbed, and relinquished this journey
to Garhwal. But Lola was content to be left in sole possession of an
extremely comfortable bungalow,—which I regret to say, subsequently
became notorious as a gambling den; in fact, the Wigwam sank into
insignificance in comparison to Rockstone, for here the play was
higher, the seclusion unsurpassed, and the dinners (at Colonel
Gascoigne's expense) quite admirable. How little did that officer
suppose that the house which he rented, and of which he was the
ostensible master, went by the name of "The Den of Thieves."
Angel was presently carried away in her dandy, and as she reached the
shoulder of the first hill, drew a long breath—she was conscious of a
delightful sense of being released at last, of a sundering of bonds, a
recovery of her own individuality. She thoroughly enjoyed the journey,
and being borne along higher, and yet higher, into a cooler, clearer
atmosphere. First through a part of Kumaon (oh most beautiful Kumaon,
with your forests, and lakes, ravines and passes, your exquisite
glimpses of the snows, and the plains!) The party gradually left behind
them, flat-roofed houses with carved fronts, standing deep in waving
yellow crops, and jungles of dahlias and sunflowers, and surrounded by
walnut and peach trees. They encountered long strings of melancholy
pack ponies with deformed hocks, the result of their bondage from
foal time, square-faced women, wearing short heavy skirts and silver
ornaments—these latter heirlooms—and now and then a stout little
Ghoorka or a shikari. Each night Angel and her ayah halted at a dâk
bungalow, where elaborate preparations had been made for the reception
of the Engineer's mem sahib. As they advanced further into Garwhary,
they met flocks of little goats, laden with salt and borax, herded by
Bhotias—dirty-looking people with Tartar features, and greasy black
hair. The country grew stranger and sterner, they passed along the
edges of fathomless ravines, between rugged inaccessible mountains, and
Angel realised for the first time the inspiring effect of a wild and
brooding solitude, where the almost awful silence was only broken by
the muttering of her Pahari bearers, as they passed about the Huka, the
scream of a kite, or the bleating of a belated sheep.
Public-domain text, read in full here on John Shaqi.
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