Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"Yes, I'm always well, thank you. I'm only just back from Aix. When did
you return?"
"About two months ago."
"And never called—or left a card. Oh, you young men of the present
day!"
"I did call, but the house was in curl-papers," rejoined Philip. "I
gave my card to an old woman in the area." (He was not enthusiastic
about his aunt by marriage, between whom and his mother lay a great
gulf; Lady Augusta looked with scorn on her country sister-in-law,
who employed a local dressmaker, and was a frumpish, prudish, handsome
creature, devoted to her books, her garden, and her boy.)
Lady Augusta's quick eyes presently travelled to Philip's companion;
the painted face behind the white veil grew rigid. At last she said, in
a strangely forced voice:
"I need—not ask—who she is. She is—Antony's girl."
As she spoke she fumbled for her long-handled glasses, and held them to
her eyes. Her hand and her voice were both shaking as she said, "Come
here, child."
Angel gravely advanced in her most approved school manners, and
confronted the lady who was so curiously inspecting her, with serious
eyes.
"Pray, do you know who I am?"
"No, ma'am," answered Angel.
"Can you guess?" asked the lady sharply.
She shook her head and waited.
"Well then, I'll tell you; I am your grandmother."
"Grandmother," repeated Angel incredulously, and her face grew quite
pink. She glanced interrogatively at Philip. Was this lady joking, or
was she mad?
"I see you can hardly believe your ears; it does seem ludicrous,"
said Lady Augusta; "but I was married when I was not much older than
herself," she explained to her nephew in an aside, "Well, child, what
have you got to say? I suppose you have a tongue?"
Poor Angel, thus adjured, immediately gave utterance to the wrong
thing. "Are—you my—mother's mother?" she inquired, and there was a
note of keen anxiety in her voice.
"Oh dear, no," rejoined the newly-found relative in a tone of fierce
repudiation. "I am your father's mother, Lady Augusta Gascoigne; he was
my youngest son. Philip," turning to him, "I must have a talk with you.
Get into the carriage, and let me drive you both back to tea."
As this was an offer not to be despised, an opportunity he dare not let
slip—for it might be of some benefit to Angel—Captain Gascoigne and
his charge accepted the unexpected invitation, and the next minute they
were seated in Lady Augusta's landau. Once arrived at Hill Street, she
led the way up to her drawing-room, and there discovered her daughter
extended on the sofa, engrossed in a book. Eva at once struggled up
awkwardly, letting a large piece of coarse knitting roll to the floor.
She was a thin, high-shouldered woman, with a mass of coarse red
hair and a droop in one of her eyelids, keenly sensitive of her own
shortcomings, and much prone to good nature and good works.
"So this is what you call working for the Deep Sea Mission?" exclaimed
her parent as she rustled across the room. "See—I have brought Philip
Gascoigne."
Public-domain text, read in full here on John Shaqi.
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