Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Major Gascoigne had taken possession of the engineers' house, a
little building far away from road and river, perched high among the
rhododendrons over the valley, consisting merely of two rooms, verandah
and cook-house, and furnished to meet the simple requirements of one
man. Philip liked the isolated spot, where he heard nothing but the
crow of the jungle cock and the roar of the water. It was one of his
favourite halting-places when he came up on inspection duty. No cell
could be more solitary, or absolutely out of the track of the world.
Here he worked at his book on fortifications, here he kept a store of
favourite authors, here he was happy; it was his asylum—his cave. The
cave was beautifully situated, and, although it commanded a sweeping
view of the neighbouring hills and distant snows, yet, to the cursory
eye, the little brown house was almost buried amid rhododendrons,
oak and tall tree ferns. The last week in September witnessed many
landslips, several accidents, and much rain. Since daybreak the
"Engineer Sahib" had been personally superintending the damming of
a fissure and the construction of a temporary bridge. Towards three
o'clock in the afternoon, tired, mud-stained, and extremely hungry, he
set his pony's head towards home. After a long _détour_ they scrambled
up the slippery, greasy path, crossed with great tree-roots, and at
last reached their destination.
Here Gascoigne gave the pony to his attendant, and called out
impatiently, "Qui hye."
Instead of the usual prompt answer to this summons, the glass door into
the verandah opened very slowly and a grey-haired ayah, in a red cloth
jacket, appeared and signed to him to be silent. But Gascoigne was not
a man to take orders from strangers in his own house, and he walked up
the steps, motioned her aside, and entered the sitting-room.
There on the shabby cane lounge was extended a fair-haired woman—a
mere girl, with one hand under her head, the other hanging limply
down, fast, fast asleep. A little cloth jacket was thrown over her
feet, a hat with wet feathers lay on his writing-table among all his
most sacred papers, and a damp umbrella dripped steadily in a corner.
Evidently a traveller who had mistaken his cave for the Dâk Bungalow.
This was Gascoigne's first idea. He looked at her a second time, and it
struck him that there was something familiar in the shape of the face,
the pencilled dark brows, the delicate nostrils, and he experienced a
sudden spasm of horror as he realised that he was contemplating—Angel!
Angel, whom he believed to be established with her grandmother in
Haute Savoy, from whom he had received a cheery letter quite recently.
Unquestionably her talent for executing the unexpected was supreme. It
bordered on the miraculous. He suddenly recalled Shafto's prophecy that
"her future course was incalculable," as he closed the door softly,
and, beckoning the ayah to a distance, said:
"Where have you come from?"
Public-domain text, read in full here on John Shaqi.
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