Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"No, no," indignantly. "I'm not like that. Grandmamma was furious at
first, but I talked her round in two days. Dr. Marsh is a gentleman,
cultivated, and presentable. He has a large practice. Granny began to
see reason and to calm down. It was partly over an Italian Prince that
we came to grief: Granny was so insistent, so shamelessly throwing
me at his head, I could not endure it. He got on my nerves—and so
did Aix. The dressing four times a day, the baths, the gossip, the
gambling. I said to myself, I really must get away from all this, or
I shall develop into a woman like granny. Granny can have one of the
Lorraine girls to launch into life instead of me—she is not half so
stiff-necked or headstrong."
"Are you stiff-necked and headstrong?"
"Oh, yes, so Miss Morton used to say. A friend of mine, Mrs. Friske,
heard my groans and lamentations, and said, 'Why don't you go out to
your guardian? He is elderly; your home is really with him. India is
much better than this.' We talked it all over one night—she is very
quick, clever, and impulsive—and I thought it out, and made up my
mind to leave granny. I would not have done it so suddenly, but that
one evening we had a terrible scene, oh——" and she caught her breath
sharply. "I can never forget the things she dared to say of my—mother.
We had not spoken of her before. I just packed up all my smart French
frocks, sold my ring, Mrs. Friske took my passage from Marseilles,
and away we went on board the _Arabia_. It was all so easy. We had
a delightful time—lots of nice people coming out—and Mrs. Friske
chaperoned me to Basaule Junction. In spite of the awful state of the
hills, I came on straight, the wretched ayah gibbering and screaming
behind me, for I particularly wanted to arrive before grandmamma's
letter." Angel drew a long breath, and said, "That's all—I've
finished. Now it is your turn to speak, cousin Philip. Since I am here,
what are you going to do with me?" and she looked up at him with a gaze
of amused expectation.
"I shall take you down to Marwar to-morrow," was his prompt reply, "and
as soon as the monsoon is over, send you—home."
"No, no, no, Philip," she remonstrated in a piteous key. "I won't go
back. I realise now," putting her cigarette into the ash-tray, "that
I have been—mad. I'd no idea you were so young." As she spoke she
faltered a little, and a sudden wave of colour dyed her cheeks. It was
her first and sole token of embarrassment. "You are not the grey-haired
fatherly person I expected to see. You were getting grey years ago,
and I thought—you'd be different. I've so much imagination—I've an
excellent memory. I remembered how good you were to me when I was
an odious, friendless child, and I—imagined—that you—would be
pleased—to have me."
Public-domain text, read in full here on John Shaqi.
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